{"id":8451,"date":"2010-12-17T03:07:36","date_gmt":"2010-12-17T03:07:36","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=8451"},"modified":"2010-12-17T03:07:36","modified_gmt":"2010-12-17T03:07:36","slug":"modern-book-illustrators-1914","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/12\/17\/modern-book-illustrators-1914\/","title":{"rendered":"Modern book illustrators, 1914"},"content":{"rendered":"

\"clarke1.jpg\"<\/a><\/p>\n

The Rime of the Ancient Mariner by Harry Clarke.<\/em><\/p>\n

Some samples from a collection of mostly black-and-white drawing at the Internet Archive, Modern Book Illustrators and Their Work<\/em><\/a> (1914), edited by C. Geoffrey Holme & Ernest G. Halton. This was an illustration review produced by The Studio<\/em> magazine and in this edition happens to feature two pieces of work from Harry Clarke’s The Rime of the Ancient Mariner<\/em> (1913). Also at the Internet Archive is an earlier Studio<\/em> publication, Modern Pen Drawings: European and American<\/em><\/a> from 1901 from which I’ve selected Patten Wilson’s hyper-detailed rendering of Rustum and the Simoorg<\/em>, a fantastic piece of work in every sense.<\/p>\n

\"clarke2.jpg\"<\/a><\/p>\n

The Rime of the Ancient Mariner by Harry Clarke.<\/em><\/p>\n

\"metcalfe.jpg\"<\/a><\/p>\n

From The Poems of Coleridge by Gerald Metcalfe.<\/em><\/p>\n

\"payne.jpg\"<\/a><\/p>\n

La Belle Dame sans Merci by Dorothy M. Payne.<\/em><\/p>\n

\"wilson.jpg\"<\/a><\/p>\n

Rustum and the Simoorg by Patten Wilson.<\/em><\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The illustrators archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Illustrating Poe #3: Harry Clarke<\/a>
\n\u2022 Strangest Genius: The Stained Glass of Harry Clarke<\/a>
\n\u2022 Harry Clarke\u2019s stained glass<\/a>
\n\u2022 Harry Clarke\u2019s The Year\u2019s at the Spring<\/a>
\n\u2022 The art of Patten Wilson, 1868\u20131928<\/a>
\n\u2022 The art of Harry Clarke, 1889\u20131931<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Rime of the Ancient Mariner by Harry Clarke. Some samples from a collection of mostly black-and-white drawing at the Internet Archive, Modern Book Illustrators and Their Work (1914), edited by C. Geoffrey Holme & Ernest G. Halton. This was an illustration review produced by The Studio magazine and in this edition happens to feature … Continue reading “Modern book illustrators, 1914”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,42,48],"tags":[2080,2083,2081,2082,99,2084,2373],"class_list":["post-8451","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-books","category-illustrators","tag-c-geoffrey-holme","tag-dorothy-m-payne","tag-ernest-g-halton","tag-gerald-metcalfe","tag-harry-clarke","tag-patten-wilson","tag-stained-glass"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2cj","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=8451"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8451\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=8451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=8451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=8451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}