{"id":8449,"date":"2010-12-16T02:41:16","date_gmt":"2010-12-16T02:41:16","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=8449"},"modified":"2010-12-16T02:41:16","modified_gmt":"2010-12-16T02:41:16","slug":"bloody-fashion","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/12\/16\/bloody-fashion\/","title":{"rendered":"Bloody fashion"},"content":{"rendered":"<p><a href=\"http:\/\/www.yunus-eliza.co.uk\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/12\/yunuseliza1.jpg\" alt=\"yunuseliza1.jpg\" \/><\/a><\/p>\n<p>British jewellers <a href=\"http:\/\/www.yunus-eliza.co.uk\/\" target=\"_blank\">Yunus Ascott and Eliza Higginbottom<\/a> describe their work as &#8220;sculpture to be worn&#8221;. That&#8217;s an angel in the picture above while the lethal heels are a mermaid and a pirate. Probably far too expensive for Giftmas but you can dream. Via <a href=\"http:\/\/www.phantasmaphile.com\/\" target=\"_blank\">Phantasmaphile<\/a>.<\/p>\n<p><a href=\"http:\/\/www.yunus-eliza.co.uk\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/12\/yunuseliza2.jpg\" alt=\"yunuseliza2.jpg\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>British jewellers Yunus Ascott and Eliza Higginbottom describe their work as &#8220;sculpture to be worn&#8221;. That&#8217;s an angel in the picture above while the lethal heels are a mermaid and a pirate. Probably far too expensive for Giftmas but you can dream. Via Phantasmaphile.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,57,41],"tags":[2079,546,2078],"class_list":["post-8449","post","type-post","status-publish","format-standard","hentry","category-art","category-fashion","category-sculpture","tag-eliza-higginbottom","tag-phantasmaphile","tag-yunus-ascott"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2ch","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=8449"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8449\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=8449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=8449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=8449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}