{"id":8346,"date":"2010-11-29T03:03:56","date_gmt":"2010-11-29T03:03:56","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=8346"},"modified":"2010-11-29T03:05:47","modified_gmt":"2010-11-29T03:05:47","slug":"charles-meryon-revisited","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/11\/29\/charles-meryon-revisited\/","title":{"rendered":"Charles M\u00e9ryon revisited"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/11\/meryon1-big.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/11\/meryon1.jpg\" alt=\"meryon1.jpg\" \/><\/a><\/p>\n<p><em>Le Petit Pont (fifth state) (1850).<\/em><\/p>\n<p>A short piece about the Paris etchings of Charles M\u00e9ryon (1821\u20131868) was <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/02\/26\/charles-meryons-paris\/\" target=\"_blank\">one of the first posts<\/a> I made here. I&#8217;ve little to add to what I said four years ago other than to point out that the Internet Archive has <a href=\"http:\/\/www.archive.org\/details\/etchingsofcharle00mr\" target=\"_blank\"><em>The Etchings of Charles M\u00e9ryon<\/em><\/a> available for download, a rather fine collection of the artist&#8217;s Piranesi-like renderings of the city. The view below of Pont-Neuf through one of the Seine bridges is very Piranesian indeed and makes me wish M\u00e9ryon had been as productive as his predecessor was with his <em>Vedute di Roma<\/em>.<\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/11\/meryon2-big.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/11\/meryon2.jpg\" alt=\"meryon2.jpg\" \/><\/a><\/p>\n<p><em>La Galerie Notre-Dame (third state) (1853).<\/em><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/11\/meryon3-big.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/11\/meryon3.jpg\" alt=\"meryon3.jpg\" \/><\/a><\/p>\n<p><em>Le Pont-Neuf et La Samaritaine (third state) (1855).<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-etching-and-engraving-archive\/\">The etching and engraving archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/02\/25\/vedute-di-roma\/\">Vedute di Roma<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/02\/26\/charles-meryons-paris\/\">Charles M\u00e9ryon&#8217;s Paris<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Petit Pont (fifth state) (1850). A short piece about the Paris etchings of Charles M\u00e9ryon (1821\u20131868) was one of the first posts I made here. I&#8217;ve little to add to what I said four years ago other than to point out that the Internet Archive has The Etchings of Charles M\u00e9ryon available for download, &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/11\/29\/charles-meryon-revisited\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Charles M\u00e9ryon revisited&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,30,42,51],"tags":[1860,139],"class_list":["post-8346","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-black-white","category-books","category-cities","tag-charles-meryon","tag-piranesi"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2aC","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=8346"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8346\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=8346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=8346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=8346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}