{"id":8124,"date":"2010-10-23T01:27:02","date_gmt":"2010-10-23T00:27:02","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=8124"},"modified":"2010-10-24T04:45:53","modified_gmt":"2010-10-24T03:45:53","slug":"alan-moore-tisser-l%e2%80%99invisible","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/10\/23\/alan-moore-tisser-l%e2%80%99invisible\/","title":{"rendered":"Alan Moore: Tisser l\u2019invisible"},"content":{"rendered":"

\"moore.jpg\"<\/a><\/p>\n

Arriving in the post this week was Alan Moore: Tisser l\u2019invisible<\/em><\/a> from French imprint Les Moutons \u00c9lectriques. The book is a substantial collection of appreciative texts and analyses of work by the Northampton Ipsissimus edited by Julien B\u00e9tan, and, as the title would imply, is in French throughout. A couple of the pieces are reprints which I presume are receiving their first translation here. Michael Moorcock’s Homage to Cornucopia<\/em> first appeared in Alan Moore: Portrait of an Extraordinary Gentleman<\/em><\/a> and is also reprinted in Moorcock’s Into the Media Web<\/em> which I designed<\/a> and Savoy Books published<\/a> earlier this year.<\/p>\n

\"highpost.jpg\"<\/a><\/p>\n

Best thing for me about the French collection is seeing some of my Moore-related work printed in colour as a mini gallery at the front of the book. There are two of the poster designs for the Moon & Serpent CDs, The Highbury Working<\/em><\/a> (above) and Angel Passage<\/a>, and also my 1999 portrait of Promethea<\/a> and the Kabbalistic Underground map<\/a> which I created as a design of my own and Alan subsequently incorporated into the Promethea<\/em> comic series.<\/p>\n

And speaking of Mister Moore, issue 6 of Dodgem Logic<\/em> is now on sale sporting a cover which can either be interpreted as a gloomy Halloween design or a faithful depiction of the nation’s slough of despond; you decide<\/a>.<\/p>\n

Previously on { feuilleton }
\n\u2022 Into the Media Web by Michael Moorcock<\/a>
\n\u2022 Watchmen<\/a>
\n\u2022 Alan Moore interview, 1988<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Arriving in the post this week was Alan Moore: Tisser l\u2019invisible from French imprint Les Moutons \u00c9lectriques. The book is a substantial collection of appreciative texts and analyses of work by the Northampton Ipsissimus edited by Julien B\u00e9tan, and, as the title would imply, is in French throughout. A couple of the pieces are reprints … Continue reading “Alan Moore: Tisser l\u2019invisible”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,9,4,3,16,23],"tags":[103,1403,1881,1879,65,1880,151,247],"class_list":["post-8124","post","type-post","status-publish","format-standard","hentry","category-books","category-comics","category-design","category-music","category-occult","category-work","tag-alan-moore","tag-dodgem-logic","tag-julien-betan","tag-les-moutons-electriques","tag-michael-moorcock","tag-promethea","tag-savoy-books","tag-watchmen"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-272","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=8124"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8124\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=8124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=8124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=8124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}