{"id":8091,"date":"2010-10-17T01:51:41","date_gmt":"2010-10-17T01:51:41","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=8091"},"modified":"2013-02-03T04:08:31","modified_gmt":"2013-02-03T04:08:31","slug":"weekend-links-34","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/10\/17\/weekend-links-34\/","title":{"rendered":"Weekend links 34"},"content":{"rendered":"<p><a href=\"http:\/\/www.arthurmag.com\/2010\/10\/14\/halloween-in-austin-texas\/\" target=\"_blank\"><img decoding=\"async\" alt=\"austin.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/10\/austin.jpg\" \/><\/a><\/p>\n<p><em>Halloween in Austin, Texas this year will look and sound like <a href=\"http:\/\/www.arthurmag.com\/2010\/10\/14\/halloween-in-austin-texas\/\" target=\"_blank\">this<\/a>.<\/em><\/p>\n<p>\u2022 &#8220;<a href=\"http:\/\/www.lettersofnote.com\/2009\/09\/blade-runner-will-prove-invincible.html\" target=\"_blank\"><em>Blade Runner<\/em> will prove invincible<\/a>&#8220;: Philip K Dick&#8217;s letter of praise to the film&#8217;s producers. Related: one of the <em>Blade Runner<\/em> designers, <a href=\"http:\/\/www.sydmead.com\/\" target=\"_blank\">Syd Mead<\/a>, has recently styled New York&#8217;s <a href=\"http:\/\/gothamist.com\/2010\/10\/14\/bar_basque.php\" target=\"_blank\">Bar Basque<\/a> and <a href=\"http:\/\/philipkoether.squarespace.com\/restaurants\/foodparc\/\" target=\"_blank\">Foodparc<\/a>.<\/p>\n<p>\u2022 \u201cI decided to go into fields where mathematicians would never go because the problems were badly stated&#8230;I have played a strange role that none of my students dare to take.\u201d RIP <a href=\"http:\/\/www.nytimes.com\/2010\/10\/17\/us\/17mandelbrot.html\" target=\"_blank\">Beno\u00eet Mandelbrot<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.npr.org\/blogs\/13.7\/2010\/10\/04\/130324199\/science-and-poetry?ft=1&amp;f=114424647\" target=\"_blank\">Science and poetry<\/a>: &#8220;a richly vexed topic badly in need of rethinking&#8221;. Related: <a href=\"http:\/\/io9.com\/5661534\/why-the-singularity-isnt-going-to-happen\" target=\"_blank\">Why the Singularity isn&#8217;t going to happen<\/a>.<\/p>\n<p>\u2022 In case you missed this week&#8217;s earlier announcement, a reminder that I was interviewed at <a href=\"http:\/\/coilhouse.net\/2010\/10\/stimulating-juxtapostions-the-art-of-john-coulthart\/\" target=\"_blank\">Coilhouse<\/a>. My vanity: it knows no bounds.<\/p>\n<p>\u2022 Franklin Booth&#8217;s illustrations for <a href=\"http:\/\/goldenagecomicbookstories.blogspot.com\/2010\/10\/franklin-booth-1874-1948-flying-islands.html\" target=\"_blank\"><em>The Flying Islands of the Night<\/em><\/a> (1913) by James Whitcomb Riley.<\/p>\n<p>\u2022 <a href=\"http:\/\/thehauntedlamp.blogspot.com\/2010\/10\/on-verge-by-maurice-sandoz-and-salvador.html\" target=\"_blank\"><em>On the Verge<\/em><\/a> (1950) by Maurice Sandoz, illustrated by Salvador Dal\u00ed. Also <a href=\"http:\/\/thehauntedlamp.blogspot.com\/2010\/10\/fantastic-memories-by-maurice-sandoz.html\" target=\"_blank\">this<\/a> and <a href=\"http:\/\/thehauntedlamp.blogspot.com\/2010\/10\/sal.html\" target=\"_blank\">this<\/a>.<\/p>\n<p><img decoding=\"async\" alt=\"bowie.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/10\/bowie.jpg\" \/><\/p>\n<p><em>Bowie Sphinx, 1969. Photo by Brian Ward.<\/em><\/p>\n<p>\u2022 <a href=\"http:\/\/user.cyberlink.ch\/~koenig\/bowie.htm\" target=\"_blank\">The Laughing Gnostic: David Bowie and the Occult<\/a>.<\/p>\n<p>\u2022 &#8220;<a href=\"http:\/\/www.nytimes.com\/2010\/10\/12\/science\/12newton.html?_r=2&amp;hpw\" target=\"_blank\">Moonlighting as a Conjurer of Chemicals<\/a>&#8220;: Isaac Newton&#8217;s alchemical interests.<\/p>\n<p>\u2022 &#8220;<a href=\"http:\/\/www.guardian.co.uk\/books\/video\/2010\/oct\/08\/alan-garner\" target=\"_blank\">A sense of otherness that goes right back<\/a>&#8220;: Alan Garner at Alderley Edge.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.bleedingcool.com\/2010\/10\/12\/jimmys-end-alan-moores-new-feature-film-and-spin-off-tv-series\/\" target=\"_blank\"><em>Jimmy\u2019s End<\/em><\/a>\u2014Alan Moore\u2019s new feature film and spin-off TV series.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.guardian.co.uk\/books\/2010\/oct\/16\/owen-hatherley-ruins-great-britain\" target=\"_blank\">A Guide to the New Ruins of Great Britain by Owen Hatherley<\/a>.<\/p>\n<p>\u2022 The <a href=\"http:\/\/www.itgetsbetterproject.com\/\" target=\"_blank\">It Gets Better Project<\/a> now has a dedicated website.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.youtube.com\/watch?v=oP2SS8ggLtU\" target=\"_blank\"><em>Quicksand<\/em><\/a> (1971) by David Bowie.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Halloween in Austin, Texas this year will look and sound like this. \u2022 &#8220;Blade Runner will prove invincible&#8220;: Philip K Dick&#8217;s letter of praise to the film&#8217;s producers. Related: one of the Blade Runner designers, Syd Mead, has recently styled New York&#8217;s Bar Basque and Foodparc. \u2022 \u201cI decided to go into fields where mathematicians &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/10\/17\/weekend-links-34\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 34&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,7,5,48,3,16,20,13,19,23],"tags":[634,103,1869,1861,1864,2272,1292,1301,1237,1863,1865,1867,1845,1866,667,87,1862],"class_list":["post-8091","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-film","category-gay","category-illustrators","category-music","category-occult","category-science-fiction","category-science","category-television","category-work","tag-alan-garner","tag-alan-moore","tag-benoit-mandelbrot","tag-blade-runner","tag-brian-ward","tag-coil-group","tag-coilhouse","tag-david-bowie","tag-franklin-booth","tag-isaac-newton","tag-james-whitcomb-riley","tag-maurcie-sandoz","tag-maurice-sandoz","tag-owen-hatherley","tag-philip-k-dick","tag-salvador-dali","tag-syd-mead"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-26v","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=8091"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8091\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=8091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=8091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=8091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}