{"id":7823,"date":"2010-10-03T01:49:40","date_gmt":"2010-10-03T00:49:40","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=7823"},"modified":"2013-02-03T04:08:42","modified_gmt":"2013-02-03T04:08:42","slug":"weekend-links-32","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/10\/03\/weekend-links-32\/","title":{"rendered":"Weekend links 32"},"content":{"rendered":"<p><a href=\"http:\/\/www.sylviaji.com\/\" target=\"_blank\"><img decoding=\"async\" alt=\"ji1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/10\/ji1.jpg\" \/><\/a><\/p>\n<p><em>Red Quechquemitls (2010) by <a href=\"http:\/\/www.sylviaji.com\/\" target=\"_blank\">Sylvia Ji<\/a>.<\/em><\/p>\n<p>\u2022 The <a href=\"http:\/\/www.arthurmag.com\/blackout\/\" target=\"_blank\"><em>Blackout Mix<\/em><\/a>, a pay-what-thou-wilt 49-minute mixtape, &#8220;specially designed to accompany (or simulate) a human-plant interaction&#8221;. Art by <a href=\"http:\/\/www.arikroper.com\/\" target=\"_blank\">Arik Roper<\/a>, music selection by Jay Babcock.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.scientificamerican.com\/blog\/post.cfm?id=an-ode-to-the-many-evolved-virtues-2010-09-22\" target=\"_blank\">An ode to the many evolved virtues of human semen<\/a>: &#8220;the penis is capable of dispensing a sort of natural Prozac&#8221; says Jesse Bering.<\/p>\n<p>\u2022 The new John Foxx CD &amp; DVD release, <a href=\"http:\/\/blog.thequietman.co.uk\/2010\/09\/dna-released-on-11-october\/\" target=\"_blank\"><em>D.N.A.<\/em><\/a>, has a Jonathan Barnbrook cover, a new collaboration with Harold Budd and a disc of short films.<\/p>\n<p>\u2022 &#8220;I have been copying Margaret Hamilton my whole life, and I am proud to admit it. The Wicked Witch of the West, the <em>jolie laide<\/em> heroine of every bad little boy\u2019s and girl\u2019s dream of notoriety and style, whose twelve minutes of screen time in <em>The Wizard of Oz<\/em> can never be topped &#8230; I\u2019m a big butch-lesbian hag. I love the ones with chips on their shoulders and heavy attitude. They\u2019re my real favorites.&#8221; <a href=\"http:\/\/www.glreview.com\/article.php?articleid=248\" target=\"_blank\">John Waters<\/a> always gives great interviews.<\/p>\n<p>\u2022 Listen to <a href=\"http:\/\/soundcloud.com\/warp-records\/brian-eno-2-forms-of-anger-small-craft-on-a-milk-sea\" target=\"_blank\">a track from the forthcoming Brian Eno album<\/a> while you&#8217;re reading <a href=\"http:\/\/www.arthurmag.com\/2009\/11\/02\/brian-eno-interviewed\/\" target=\"_blank\">Kristine McKenna&#8217;s interview<\/a> with the man himself at <em>Arthur<\/em> mag. Includes an appreciation by Alan Moore.<\/p>\n<p><a href=\"http:\/\/www.sylviaji.com\/\" target=\"_blank\"><img decoding=\"async\" alt=\"ji2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/10\/ji2.jpg\" \/><\/a><\/p>\n<p><em>Atropa Bella Donna (2009) by <a href=\"http:\/\/www.sylviaji.com\/\" target=\"_blank\">Sylvia Ji<\/a>.<\/em><\/p>\n<p>\u2022 Steven Severin is touring the UK this month, performing a live accompaniment to screenings of Jean Cocteau&#8217;s <em>The Blood of a Poet<\/em>. He&#8217;s at the <a href=\"http:\/\/www.tynesidecinema.co.uk\/\" target=\"_blank\">Tyneside Cinema<\/a> this Tuesday. Other dates can be found on <a href=\"http:\/\/www.stevenseverin.com\/\" target=\"_blank\">his website<\/a>.<\/p>\n<p>\u2022 &#8220;I know it&#8217;s a very emotive subject and you&#8217;re either for it or against it but for a jobbing self-employed musician such as me \u2013 bootlegging (CD copying) is just killing us.&#8221; <a href=\"http:\/\/thequietus.com\/articles\/05044-chris-carter-throbbing-gristle-interview\" target=\"_blank\">Finding The Spaces Between<\/a>: musician Chris Carter (Throbbing Gristle, Chris &amp; Cosey, et al) interviewed.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.youtube.com\/watch?v=r-5Nq3h1Xp4\" target=\"_blank\"><em>Mile End Pugatorio<\/em><\/a> (1991), a one-minute film-poem by Guy Sherwin and Martin Doyle. Related: <a href=\"http:\/\/www.youtube.com\/watch?v=MTJJb1UqjuA\" target=\"_blank\">four one-minute movies<\/a> by The Residents.<\/p>\n<p>\u2022 Gijs Van Vaerenbergh installed an <a href=\"http:\/\/bldgblog.blogspot.com\/2010\/10\/upside-dome-architectural-understudy.html\" target=\"_blank\"><em>Upside Dome<\/em><\/a> at the St. Michiel Church in Leuven, Belgium.<\/p>\n<p>\u2022 Sidney Sime illustrates Lord Dunsany at <a href=\"http:\/\/goldenagecomicbookstories.blogspot.com\/2010\/09\/sidney-sime-1867-1941.html\" target=\"_blank\">Golden Age Comic Book Stories<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.flickr.com\/photos\/alphadesigner\/5009856543\/sizes\/o\/\" target=\"_blank\">Europe according to gay men<\/a>. There&#8217;s more at <a href=\"http:\/\/alphadesigner.com\/project-mapping-stereotypes.html\" target=\"_blank\">Mapping Stereotypes<\/a>.<\/p>\n<p>\u2022 There&#8217;s <a href=\"http:\/\/learningtolivehere.wordpress.com\/\" target=\"_blank\">never a dull moment<\/a> in the High Desert.<\/p>\n<p>\u2022 Generative art by <a href=\"http:\/\/solaas.com.ar\/\" target=\"_blank\">Leonardo Solas<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Red Quechquemitls (2010) by Sylvia Ji. \u2022 The Blackout Mix, a pay-what-thou-wilt 49-minute mixtape, &#8220;specially designed to accompany (or simulate) a human-plant interaction&#8221;. Art by Arik Roper, music selection by Jay Babcock. \u2022 An ode to the many evolved virtues of human semen: &#8220;the penis is capable of dispensing a sort of natural Prozac&#8221; says &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/10\/03\/weekend-links-32\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 32&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,4,29,21,7,5,48,43,3,44,13],"tags":[103,338,145,1805,1804,1806,1213,1807,802,1801,132,1802,1295,1812,982,1803,1811,1810,1814,1808,1809,1815,1800,879,613,512],"class_list":["post-7823","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-design","category-electronica","category-fantasy","category-film","category-gay","category-illustrators","category-magazines","category-music","category-painting","category-science","tag-alan-moore","tag-arik-roper","tag-brian-eno","tag-chris-cosey","tag-chris-carter","tag-gijs-van-vaerenbergh","tag-golden-age-comic-book-stories","tag-guy-sherwin","tag-harold-budd","tag-jay-babcock","tag-jean-cocteau","tag-jesse-bering","tag-john-foxx","tag-john-waters","tag-jonathan-barnbrook","tag-kristine-mckenna","tag-leonardo-solas","tag-lord-dunsany","tag-margaret-hamilton","tag-martin-doyle","tag-sidney-sime","tag-steven-severin","tag-sylvia-ji","tag-the-residents","tag-the-wizard-of-oz","tag-throbbing-gristle"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-22b","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=7823"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7823\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=7823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=7823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=7823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}