{"id":7684,"date":"2010-09-07T02:39:27","date_gmt":"2010-09-07T01:39:27","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=7684"},"modified":"2010-09-07T02:44:44","modified_gmt":"2010-09-07T01:44:44","slug":"the-art-of-ignacio-goitia","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/09\/07\/the-art-of-ignacio-goitia\/","title":{"rendered":"The art of Ignacio Goitia"},"content":{"rendered":"<p><a href=\"http:\/\/www.ignaciogoitia.com\/Obra\/c361.htm\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/09\/goitia1.jpg\" alt=\"goitia1.jpg\" \/><\/a><\/p>\n<p><em>Pasi\u00f3n por Canaletto (2005).<\/em><\/p>\n<p><a href=\"http:\/\/www.ignaciogoitia.com\/\" target=\"_blank\">Ignacio Goitia<\/a> is a Spanish artist whose depictions of opulent aristocracy manage to be subversively homoerotic thanks to the addition of figures we can interpret as boyfriends, sex slaves or wish-fulfilling phantasms; Ludwig II would no doubt approve of the sentiment even if he disagreed with some of the decor. Goitia&#8217;s art increases the Surrealist incongruity in other paintings with a preponderance of giraffes, although none of them appear to be burning \u00e0 la <a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Burning_Giraffe\" target=\"_blank\">Dal\u00ed<\/a>. You&#8217;ll have to browse his galleries to see how he uses them.<\/p>\n<p>Another <a href=\"http:\/\/chateauthombeau.blogspot.com\/\" target=\"_blank\">Thombeau<\/a> tip\u2014thanks Tom!<\/p>\n<p><a href=\"http:\/\/www.ignaciogoitia.com\/Obra\/c405.htm\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/09\/goitia2.jpg\" alt=\"goitia2.jpg\" \/><\/a><\/p>\n<p><em>Royal couple (2010).<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-gay-artists-archive\/\">The gay artists archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/07\/26\/schloss-neuschwanstein\/\">Schloss Neuschwanstein<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pasi\u00f3n por Canaletto (2005). Ignacio Goitia is a Spanish artist whose depictions of opulent aristocracy manage to be subversively homoerotic thanks to the addition of figures we can interpret as boyfriends, sex slaves or wish-fulfilling phantasms; Ludwig II would no doubt approve of the sentiment even if he disagreed with some of the decor. Goitia&#8217;s &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/09\/07\/the-art-of-ignacio-goitia\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Ignacio Goitia&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,5,44,18],"tags":[1720,1574,87,5038],"class_list":["post-7684","post","type-post","status-publish","format-standard","hentry","category-art","category-gay","category-painting","category-surrealism","tag-ignacio-goitia","tag-ludwig-ii","tag-salvador-dali","tag-thombeau"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1ZW","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=7684"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7684\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=7684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=7684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=7684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}