{"id":7678,"date":"2010-09-05T02:12:41","date_gmt":"2010-09-05T02:12:41","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=7678"},"modified":"2013-02-03T04:09:01","modified_gmt":"2013-02-03T04:09:01","slug":"weekend-links-29","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/09\/05\/weekend-links-29\/","title":{"rendered":"Weekend links 29"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/37775831@N02\/4896319011\/\" target=\"_blank\"><img decoding=\"async\" alt=\"dancer.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/09\/dancer.jpg\" \/><\/a><\/p>\n<p><em>A Folies Berg\u00e8re dancer, c. 1909.<\/em><\/p>\n<p>\u2022 <a href=\"http:\/\/www.loa.org\/volume.jsp?RequestID=337\" target=\"_blank\">Six Novels in Woodcuts<\/a>: The Library of America publishes a boxed set of Lynd Ward&#8217;s works: <em>Gods\u2019 Man<\/em>, <em>Madman\u2019s Drum<\/em>, <em>Wild Pilgrimage<\/em>, <em>Prelude to a Million Years<\/em>, <em>Song Without Words<\/em> and <em>Vertigo<\/em>.<\/p>\n<p>\u2022 RIP ace graphic designer <a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2010\/aug\/30\/raymond-hawkey-obituary\" target=\"_blank\">Raymond Hawkey<\/a>. Related: <a href=\"http:\/\/mikedempsey.typepad.com\/graphic_journey_blog\/2009\/01\/an-eye-for-detail.html\" target=\"_blank\">Raymond Hawkey: An eye for detail<\/a>, and Hawkey&#8217;s\u00a0<a href=\"http:\/\/farm2.static.flickr.com\/1438\/1458661447_4a8f176153_o.jpg\" target=\"_blank\">James Bond cover designs<\/a> from the mid-60s.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.nasher.duke.edu\/therecord\/index.php\" target=\"_blank\"><em>The Record: Contemporary Art and Vinyl<\/em><\/a>, an exhibition at Duke University, North Carolina, features work by 41 artists from around the world, from the 1960s to the present, using vinyl records as subject or medium.<\/p>\n<p><a href=\"http:\/\/adventuresintheprinttrade.blogspot.com\/2010\/09\/master-of-engraving-albert-decaris.html\" target=\"_blank\"><img decoding=\"async\" alt=\"decaris.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/09\/decaris.jpg\" \/><\/a><\/p>\n<p><em>The \u00cele de la Cit\u00e9, a steel engraving by <a href=\"http:\/\/adventuresintheprinttrade.blogspot.com\/2010\/09\/master-of-engraving-albert-decaris.html\" target=\"_blank\">Albert Decaris<\/a> (1950).<\/em><\/p>\n<p>\u2022 <a href=\"http:\/\/www.brooklynmuseum.org\/exhibitions\/fred_tomaselli\/\" target=\"_blank\">Fred Tomaselli<\/a> will have a new exhibition of his work at the Brooklyn Museum next month.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.lindaferrari.it\/reportages\/monumenti\/index.html\" target=\"_blank\">Socialist Monuments in Bulgaria<\/a> photographed by Linda Ferrari.<\/p>\n<p>\u2022 What would Howard think of the <a href=\"http:\/\/elasticaengineering.com\/zencart\/index.php?main_page=product_info&amp;cPath=13&amp;products_id=98\" target=\"_blank\">Mythos Art Dildo<\/a>?<\/p>\n<p>\u2022 <a href=\"http:\/\/vimeo.com\/10508111\" target=\"_blank\"><em>Space is Process<\/em><\/a>, a film about Olafur Eliasson.<\/p>\n<p>\u2022 <a href=\"http:\/\/tmagazine.blogs.nytimes.com\/2010\/09\/01\/graphic-content-thurston-moores-indie-books\/?ref=t-magazine\" target=\"_blank\">Thurston Moore\u2019s Indie Books<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/2.bp.blogspot.com\/-ay9zmKDSLv4\/TWVqSuz7IKI\/AAAAAAAABkk\/JgROBo-YH-s\/s1600\/004_chris_colfer.jpg\" target=\"_blank\">Chris Colfer in a leather bar<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/ephemeralnewyork.wordpress.com\/\" target=\"_blank\">Ephemeral New York<\/a>.<\/p>\n<p>\u2022 Chrome! <a href=\"http:\/\/www.youtube.com\/user\/HeliosChrome\" target=\"_blank\">Helios Creed&#8217;s YouTube channel<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Folies Berg\u00e8re dancer, c. 1909. \u2022 Six Novels in Woodcuts: The Library of America publishes a boxed set of Lynd Ward&#8217;s works: Gods\u2019 Man, Madman\u2019s Drum, Wild Pilgrimage, Prelude to a Million Years, Song Without Words and Vertigo. \u2022 RIP ace graphic designer Raymond Hawkey. Related: Raymond Hawkey: An eye for detail, and Hawkey&#8217;s\u00a0James &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/09\/05\/weekend-links-29\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 29&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,30,42,51,56,4,5,26,3,44,12,41,19],"tags":[1712,1715,1717,1708,312,1716,1711,431,1713,1709,1714,1710,993],"class_list":["post-7678","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-black-white","category-books","category-cities","category-dance","category-design","category-gay","category-lovecraft","category-music","category-painting","category-photography","category-sculpture","category-television","tag-albert-decaris","tag-chris-colfer","tag-damon-edge","tag-folies-bergere","tag-fred-tomaselli","tag-helios-creed","tag-ile-de-la-cite","tag-james-bond","tag-linda-ferrari","tag-lynd-ward","tag-olafur-eliasson","tag-raymond-hawkey","tag-thurston-moore"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1ZQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=7678"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7678\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=7678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=7678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=7678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}