{"id":7633,"date":"2010-08-24T02:57:20","date_gmt":"2010-08-24T01:57:20","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=7633"},"modified":"2013-02-11T00:43:07","modified_gmt":"2013-02-11T00:43:07","slug":"the-recurrent-pose-37","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/08\/24\/the-recurrent-pose-37\/","title":{"rendered":"The recurrent pose 37"},"content":{"rendered":"<p><a href=\"http:\/\/www.thefashiondiesyoung.com\/2010\/08\/ete-2010-par-hippolyte.html\" target=\"_blank\"><img decoding=\"async\" alt=\"flandrin.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/08\/flandrin.jpg\" \/><\/a><\/p>\n<p>This latest example of the ever-recurring pose is a self-portrait by <a href=\"http:\/\/www.thefashiondiesyoung.com\/2010\/08\/ete-2010-par-hippolyte.html\" target=\"_blank\">Alexxander<\/a>, a French student of art history. As one might expect from his nationality and area of study, Alexxander is fully aware of <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/02\/16\/evolution-of-an-icon\/\" target=\"_blank\">the Flandrin parallel<\/a>. Thanks once again to <a href=\"http:\/\/chateauthombeau.blogspot.com\/\" target=\"_blank\">Thom<\/a> for the tip!<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-recurrent-pose-archive\/\" target=\"_blank\">The recurrent pose archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This latest example of the ever-recurring pose is a self-portrait by Alexxander, a French student of art history. As one might expect from his nationality and area of study, Alexxander is fully aware of the Flandrin parallel. Thanks once again to Thom for the tip! Elsewhere on { feuilleton } \u2022 The recurrent pose archive<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-7633","post","type-post","status-publish","format-standard","hentry","category-photography"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1Z7","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=7633"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7633\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=7633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=7633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=7633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}