{"id":7614,"date":"2010-08-21T02:14:26","date_gmt":"2010-08-21T01:14:26","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=7614"},"modified":"2010-08-21T02:14:26","modified_gmt":"2010-08-21T01:14:26","slug":"druillets-vampires","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/08\/21\/druillets-vampires\/","title":{"rendered":"Druillet&#8217;s vampires"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/08\/vampire3.jpg\" alt=\"vampire3.jpg\" \/><\/p>\n<p><em>Le Viol du Vampire (1968) or Rape of the Vampire (stay classy, Jean!); re-titled Queen of the Vampires for the Anglophone world. <\/em><\/p>\n<p>We&#8217;re so inundated these days with vampires and\u2014worse\u2014<a href=\"http:\/\/www.tor.com\/blogs\/2010\/08\/tom-sawyer-and-the-undead-and-abraham-lincoln-vampire-hunter\" target=\"_blank\">fucking<\/a> <a href=\"http:\/\/www.tor.com\/blogs\/2010\/08\/reading-at-the-speed-of-sound-podcast-episode-4-audiobook-review-of-alan-goldshers-paul-is-undead-the-british-zombie-invasion\" target=\"_blank\">zombies<\/a>, that I&#8217;ll be perfectly happy if I never see another bloodsucker or shambling corpse again. But let&#8217;s overlook the degrading of horror staples for a moment to consider <a href=\"http:\/\/www.druillet.com\/\" target=\"_blank\">Philippe Druillet<\/a>&#8216;s excursions into the art of the cinema poster.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/08\/vampire1.jpg\" alt=\"vampire1.jpg\" \/><\/p>\n<p><em>La Vampire Nue (1969).<\/em><\/p>\n<p>These pieces are for <a href=\"http:\/\/www.imdb.com\/name\/nm0210811\/\" target=\"_blank\">Jean Rollin<\/a>&#8216;s first three films, additions to the groovy-lesbian-vampire-with-false-eyelashes-and-bare-boobs sub-genre made at a time\u2014the late 60s\u2014when all  the European film studios, Hammer included, were pushing the erotic  content of their films more than had previously been dared. Rollin&#8217;s  erotic comic strip from 1967, <em>Saga de Xam<\/em>, featured art contributions from Druillet, among others, which no doubt explains the choice of artist. As with David Palladini&#8217;s <a href=\"http:\/\/www.impawards.com\/1979\/nosferatu_the_vampyre.html\" target=\"_blank\">fantastic design<\/a> for Werner Herzog&#8217;s <a href=\"http:\/\/www.imdb.com\/title\/tt0079641\/\" target=\"_blank\"><em>Nosferatu the Vampyre<\/em><\/a> (1979), these are further examples of how unique and distinctive film posters once were in a way they rarely are today. (Druillet, incidentally, produced his own adaptation of <em>Nosferatu<\/em> in 1989.)<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/08\/vampire2.jpg\" alt=\"vampire2.jpg\" \/><\/p>\n<p><em>Le Frisson des Vampires (1970).<\/em><\/p>\n<p>Pages from the fabulously rare <em> Saga de Xam<\/em> feature in the Art Nouveau  catalogue that was the subject of  yesterday&#8217;s post. So too does Druillet&#8217;s poster for <em>Le Frisson des Vampires<\/em> although any of these pieces would have made suitable  inclusions. Even more than in his comic  strips Druillet&#8217;s work here  shows the overt influence of Alphonse Mucha.<\/p>\n<p>Most of Rollin&#8217;s films seem to be available on DVD should you be desperate for some fangs and boobs. I&#8217;d much rather see <em>Saga de Xam<\/em> be reissued; it&#8217;s been out of print since 1967 and the copies available go for upwards of \u00a3200. <a href=\"http:\/\/bxzzines.blogspot.com\/2008\/06\/saga-de-xam.html\" target=\"_blank\">This site<\/a> has samples of the pages and there&#8217;s a post about the book (in French) <a href=\"http:\/\/www.drame.org\/blog\/index.php?2007\/03\/08\/444-saga-de-xam\" target=\"_blank\">here<\/a>. For more about Jean Rollin, see <a href=\"http:\/\/requiemforjeanrollin.blogspot.com\/\" target=\"_blank\">Fascination: the Jean Rollin Experience<\/a>.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/08\/20\/the-art-nouveau-dance-goes-on-forever\/\">The Art Nouveau dance goes on forever<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/05\/05\/salammbo-illustrated\/\">Salammb\u00f4 illustrated<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/11\/27\/druillet-meets-hodgson\/\">Druillet meets Hodgson<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/08\/06\/the-music-of-igor-wakhevitch\/\">The music of Igor Wakh\u00e9vitch<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/07\/15\/nosferatu\/\">Nosferatu<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Viol du Vampire (1968) or Rape of the Vampire (stay classy, Jean!); re-titled Queen of the Vampires for the Anglophone world. We&#8217;re so inundated these days with vampires and\u2014worse\u2014fucking zombies, that I&#8217;ll be perfectly happy if I never see another bloodsucker or shambling corpse again. But let&#8217;s overlook the degrading of horror staples for &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/08\/21\/druillets-vampires\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Druillet&#8217;s vampires&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,2,42,9,4,7,5,22,48],"tags":[905,1659,1478,1660,3439,863,7073,3117,611],"class_list":["post-7614","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-art","category-books","category-comics","category-design","category-film","category-gay","category-horror","category-illustrators","tag-alphonse-mucha","tag-david-palladini","tag-igor-wakhevitch","tag-jean-rollin","tag-nosferatu","tag-philippe-druillet","tag-saga-de-xam","tag-salammbo","tag-werner-herzog"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1YO","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=7614"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7614\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=7614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=7614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=7614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}