{"id":7470,"date":"2010-07-25T03:27:06","date_gmt":"2010-07-25T02:27:06","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=7470"},"modified":"2013-02-03T04:09:50","modified_gmt":"2013-02-03T04:09:50","slug":"weekend-links-23","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/07\/25\/weekend-links-23\/","title":{"rendered":"Weekend links 23"},"content":{"rendered":"

\"groovy.jpg\"<\/a><\/p>\n

“The Go-Go wonder of Paris \u2014 That’s space girl. Transistors never wear down, they just go on and on \u2014 Even her heart is made of vinyl \u2014 It’s a marvy life \u2014 With nothing else to do but dance \u2014 Why not? \u2013 Love? \u2014 Forget it, baby \u2014 Not for her \u2014” From Mod Love<\/a> (1967) by Michael Lutin and Michel Quarez.<\/em><\/p>\n

\u2022 “Gay people are not advancing themselves in the (publishing) industry, they\u2019re just regurgitating familiar territory. Of course, artists are always ahead of gatekeepers. That\u2019s the way it works\u2014artists innovate. But in order to fulfill your promise as an editor, agent, publisher or reviewer, you have to be a person who\u2019s embracing the new and looking to elevate what is not yet known. And unfortunately, there\u2019s not a discussion among publishing professionals about enhancing this aspect of people\u2019s responsibilities. In fact, it goes the other way. So there needs to be a psychological revolution on behalf of the people who are controlling what information is allowed to be seen.” From an interview with Sarah Schulman<\/a> at Lambda Literary.<\/p>\n

\u2022 Jonathan Ross meets Jim Steranko<\/a>. Also at the Guardian<\/em>: Unearthing the truth about Alan Moore<\/a>.<\/p>\n

\u2022 Photographing an abandoned Art Deco skyscraper<\/a>. From the people who photographed Neverland at night<\/a>.<\/p>\n

\u2022 Powers<\/a>: “aural sculptures” by Andy Partridge inspired by the strange science fiction art of Richard M Powers.<\/p>\n

\"barbier.jpg\"<\/a><\/p>\n

La Paresse (Laziness) (1924) by George Barbier.<\/em><\/p>\n

\u2022 Lautr\u00e9amont’s poison-drenched pages<\/a>. Roger Cardinal reviews a new edition of Les Chants de Maldoror<\/em> and Po\u00e9sies<\/em>.<\/p>\n

\u2022 The Wire<\/em>‘s Top 50 Rhythms of All Time<\/a>, a list from 1992. Some great recommendations but it’s impossible to imagine that being written now without a mention of Klaus Dinger. And where’s Fela Kuti?<\/p>\n

\u2022 The Wire Salon at Cafe Oto<\/a>, London, on August 5th presents Rob Young discussing his forthcoming book, Electric Eden: Unearthing Britain\u2019s Visionary Music<\/em><\/a>.<\/p>\n

\u2022 American Pictorial Photography, 1912\u20131955<\/a>. Another astonishing picture set at Golden Age Comic Book Stories.<\/p>\n

\u2022 The Beats: Pictures of a Legend<\/a>. Edmund White on a new exhibition of Allen Ginsberg’s photographs. Related: the trailer for Howl<\/em><\/a>.<\/p>\n

\u2022 The Dream Machine<\/a> is a point-and-click adventure game made using hand-crafted animation.<\/p>\n

\u2022 Fuck yeah Francisco Lachowski<\/a>: Brazilian model cutie has many Tumblr fans.<\/p>\n

\u2022 Polly Morgan’s wings of desire<\/a>. The taxidermy artist interviewed.<\/p>\n

\u2022 Thomas Dolby\u2019s solar-powered boat studio<\/a>.<\/p>\n

\u2022 R\u00fcckstoss Gondoliere<\/em> (1971) by Kraftwerk: pt. 1<\/a> | pt. 2<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

“The Go-Go wonder of Paris \u2014 That’s space girl. Transistors never wear down, they just go on and on \u2014 Even her heart is made of vinyl \u2014 It’s a marvy life \u2014 With nothing else to do but dance \u2014 Why not? \u2013 Love? \u2014 Forget it, baby \u2014 Not for her \u2014” From … Continue reading “Weekend links 23”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,9,29,36,7,5,3,12,17,41],"tags":[103,967,1145,277,901,1369,1569,1570,695,1213,1565,1564,1568,122,510,4046,1561,1562,387,1566,1124,1567,1563,1571],"class_list":["post-7470","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-comics","category-electronica","category-eye-candy","category-film","category-gay","category-music","category-photography","category-psychedelia","category-sculpture","tag-alan-moore","tag-allen-ginsberg","tag-andy-partridge","tag-art-deco","tag-edmund-white","tag-electric-eden","tag-fela-kuti","tag-francisco-lachowski","tag-george-barbier","tag-golden-age-comic-book-stories","tag-jim-steranko","tag-jonathan-ross","tag-klaus-dinger","tag-kraftwerk","tag-lautreamont","tag-maldoror","tag-michael-lutin","tag-michel-quarez","tag-polly-morgan","tag-richard-m-powers","tag-rob-young","tag-roger-cardinal","tag-sarah-schulman","tag-thomas-dolby"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1Wu","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=7470"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7470\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=7470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=7470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=7470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}