{"id":7452,"date":"2010-07-21T02:48:36","date_gmt":"2010-07-21T01:48:36","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=7452"},"modified":"2010-07-21T03:50:17","modified_gmt":"2010-07-21T02:50:17","slug":"the-art-of-ran-akiyoshi-1922%e2%80%931982","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/07\/21\/the-art-of-ran-akiyoshi-1922%e2%80%931982\/","title":{"rendered":"The art of Ran Akiyoshi, 1922\u20131982"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/07\/akiyoshi1.jpg\" alt=\"akiyoshi1.jpg\" \/><\/p>\n<p>In a similar vein to the work of <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/07\/20\/the-art-of-gilles-rimbault\/\" target=\"_self\">Gilles Rimbault<\/a> and other erotic fantasists is Ran Akiyoshi, a Japanese artist and illustrator. Akiyoshi&#8217;s work manages to be even more obscure than the Europeans, being virtually undocumented outside Japanese websites, hence the absence of titles and dates for these examples. This is surprising given the quasi-Surrealist nature of his paintings which place buxom goddess types in phantasmagoric settings with subtle or not-so-subtle erotic qualities. Akiyoshi follows the pattern of much of this kind of personal fantasy whereby most of the women share similar features. The book cover immediately below is from a recent <a href=\"http:\/\/www.amazon.co.jp\/exec\/obidos\/ASIN\/4883751155\/\" target=\"_blank\">Japan-only collection of his work<\/a>. The <em>Illusion<\/em> cover at the end is another book collection some of whose fascinating pages can be seen <a href=\"http:\/\/blogs.yahoo.co.jp\/kms130\/35847889.html\" target=\"_blank\">here<\/a>. As always, if anyone turns up a gallery of further pictures, please leave a comment.<\/p>\n<p><a href=\"http:\/\/www.amazon.co.jp\/exec\/obidos\/ASIN\/4883751155\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/07\/akiyoshi2.jpg\" alt=\"akiyoshi2.jpg\" \/><\/a><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/07\/akiyoshi3.jpg\" alt=\"akiyoshi3.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/07\/akiyoshi4.jpg\" alt=\"akiyoshi4.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/07\/akiyoshi5.jpg\" alt=\"akiyoshi5.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/07\/akiyoshi6.jpg\" alt=\"akiyoshi6.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/07\/akiyoshi7.jpg\" alt=\"akiyoshi7.jpg\" \/><\/p>\n<p><a href=\"http:\/\/blogs.yahoo.co.jp\/kms130\/35847889.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/07\/akiyoshi8.jpg\" alt=\"akiyoshi8.jpg\" \/><\/a><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-fantastic-art-archive\/\">The fantastic art archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/07\/20\/the-art-of-gilles-rimbault\/\">The art of Gilles Rimbault<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/03\/15\/the-art-of-jim-leon-1938\u20132002\/\">The art of Jim Leon, 1938\u20132002<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/06\/26\/the-art-of-sibylle-ruppert\/\">The art of Sibylle Ruppert<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/22\/the-art-of-bertrand\/\">The art of Bertrand<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In a similar vein to the work of Gilles Rimbault and other erotic fantasists is Ran Akiyoshi, a Japanese artist and illustrator. Akiyoshi&#8217;s work manages to be even more obscure than the Europeans, being virtually undocumented outside Japanese websites, hence the absence of titles and dates for these examples. This is surprising given the quasi-Surrealist &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/07\/21\/the-art-of-ran-akiyoshi-1922%e2%80%931982\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Ran Akiyoshi, 1922\u20131982&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,21,48,44,18],"tags":[1544,1082,1545,509],"class_list":["post-7452","post","type-post","status-publish","format-standard","hentry","category-art","category-fantasy","category-illustrators","category-painting","category-surrealism","tag-gilles-rimbault","tag-jim-leon","tag-ran-akiyoshi","tag-sibylle-ruppert"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1Wc","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=7452"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7452\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=7452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=7452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=7452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}