{"id":7337,"date":"2010-06-20T01:31:42","date_gmt":"2010-06-20T00:31:42","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=7337"},"modified":"2013-02-03T04:12:16","modified_gmt":"2013-02-03T04:12:16","slug":"weekend-links-19","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/06\/20\/weekend-links-19\/","title":{"rendered":"Weekend links 19"},"content":{"rendered":"

\"smith.jpg\"<\/a><\/p>\n

Peafile (2006) by Shawn Smith<\/a>; plywood, ink, acrylic paint. <\/em><\/p>\n

\u2022 Surreal Friends<\/em><\/a>, an exhibition of work by Leonora Carrington, Remedios Varo and Kati Horna at the Pallant House Gallery, Chichester, UK. Related: The surrealist muses who roared<\/a>, Leonora Carrington and other women Surrealists profiled.<\/p>\n

\u2022 Landscapes From a Dream: How the Art of David Pelham Captured the Essence of JG Ballard\u2019s Early Fiction<\/a>. A graphic design essay at Ballardian.<\/p>\n

\u2022 “(T)he significant thing is not the behaviour of the players but the attitude of the spectators: and, behind the spectators, of the nations who work themselves into furies over these absurd contests, and seriously believe \u2014 at any rate for short periods \u2014 that running, jumping and kicking a ball are tests of national virtue. (…) It is the most violently combative sports, football and boxing, that have spread the widest. There cannot be much doubt that the whole thing is bound up with the rise of nationalism \u2014 that is, with the lunatic modern habit of identifying oneself with large power units and seeing everything in terms of competitive prestige.” The Sporting Spirit<\/em><\/a> by George Orwell, December 1945.<\/p>\n

\u2022 One of my cult pop albums from the 1980s, A Secret Wish<\/em> by Propaganda, is reissued in a 25th anniversary edition<\/a> next month. I no doubt have most of the bonus tracks already but the prospect is still irresistible.<\/p>\n

\u2022 Tangier Cut-Up<\/em><\/a>, an uncollected piece by William Burroughs from Esquire<\/em>, September 1964.<\/p>\n

\u2022 Ghostwriter \u2014\u00a0 The Continuing Adventures Of The Strange Sound Association<\/a>.<\/p>\n

\u2022 Faust And Last And Always: Germany’s Most Radical Rock Group Talk<\/a>.<\/p>\n

\u2022 Hollingsville<\/a> at Resonance FM. Related: Graphic Design on the Radio<\/a>.<\/p>\n

\u2022 iPad Publishing No Savior for Small Press, LGBT Comics Creators<\/a>.<\/p>\n

\u2022 The Largest Oil Spills in History, 1901 to Present<\/a>.<\/p>\n

\u2022 1948 Buick Streamliner by Norman E Timbs<\/a>.<\/p>\n

\u2022 Neville Brody<\/a>\u2019s work on display in Tokyo.<\/p>\n

\u2022 Dr Mabuse<\/em><\/a> (1984) by Propaganda; Vladek Sheybal, cowled monks, Fritz Lang references and Anton Corbijn directing.<\/p>\n","protected":false},"excerpt":{"rendered":"

Peafile (2006) by Shawn Smith; plywood, ink, acrylic paint. \u2022 Surreal Friends, an exhibition of work by Leonora Carrington, Remedios Varo and Kati Horna at the Pallant House Gallery, Chichester, UK. Related: The surrealist muses who roared, Leonora Carrington and other women Surrealists profiled. \u2022 Landscapes From a Dream: How the Art of David Pelham … Continue reading “Weekend links 19”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,28,9,4,29,3,44,14,41,18,15],"tags":[1434,792,368,1559,5127,385,395,137,1432,692,731,149,1433,444,1431,1430,1435,1190],"class_list":["post-7337","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-burroughs","category-comics","category-design","category-electronica","category-music","category-painting","category-politics","category-sculpture","category-surrealism","category-technology","tag-anton-corbijn","tag-ballardian","tag-david-pelham","tag-dr-mabuse","tag-faust","tag-fritz-lang","tag-george-orwell","tag-jg-ballard","tag-kati-horna","tag-krautrock","tag-leonora-carrington","tag-neville-brody","tag-norman-e-timbs","tag-peacocks","tag-remedios-varo","tag-shawn-smith","tag-vladek-sheybal","tag-william-burroughs"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1Ul","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=7337"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7337\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=7337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=7337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=7337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}