{"id":7330,"date":"2010-06-18T03:17:03","date_gmt":"2010-06-18T02:17:03","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=7330"},"modified":"2011-11-22T02:52:14","modified_gmt":"2011-11-22T02:52:14","slug":"the-art-of-ben-kimura","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/06\/18\/the-art-of-ben-kimura\/","title":{"rendered":"The art of Ben Kimura"},"content":{"rendered":"<p><a href=\"http:\/\/www.jeunesasianart.com\/html\/ben_kimura.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/06\/kimura.jpg\" alt=\"kimura.jpg\" \/><\/a><\/p>\n<p>An untitled piece by <a href=\"http:\/\/www.jeunesasianart.com\/html\/ben_kimura.html\" target=\"_blank\">Ben Kimura<\/a> (1947\u20132003), a Japanese artist whose homoerotic works are all very well drawn, if occasionally a little bland. Given a choice, I prefer the aesthetics and imagination of <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/12\/31\/the-art-of-sadao-hasegawa-1945\u20131999\/\">Sadao Hasegawa<\/a> or <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/02\/15\/the-art-of-hideki-koh\/\">Hideki Koh<\/a> but drawings such as this are certainly sexy enough.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-gay-artists-archive\/\" target=\"_self\">The gay artists archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/08\/07\/the-art-of-goh-mishima-1924\u20131989\/\">The art of Goh Mishima, 1924\u20131989<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/02\/15\/the-art-of-hideki-koh\/\">The art of Hideki Koh<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/09\/26\/secret-lives-of-the-samurai\/\">Secret Lives of the Samurai<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/12\/31\/the-art-of-sadao-hasegawa-1945-1999\/\">The art of Sadao Hasegawa, 1945\u20131999<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/25\/the-art-of-takato-yamamoto\/\">The art of Takato Yamamoto<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>An untitled piece by Ben Kimura (1947\u20132003), a Japanese artist whose homoerotic works are all very well drawn, if occasionally a little bland. Given a choice, I prefer the aesthetics and imagination of Sadao Hasegawa or Hideki Koh but drawings such as this are certainly sexy enough. Elsewhere on { feuilleton } \u2022 The gay &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/06\/18\/the-art-of-ben-kimura\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Ben Kimura&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,5],"tags":[1419,624,236,1420],"class_list":["post-7330","post","type-post","status-publish","format-standard","hentry","category-art","category-gay","tag-ben-kimura","tag-goh-mishima","tag-hideki-koh","tag-sadao-hasegawa"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1Ue","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=7330"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7330\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=7330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=7330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=7330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}