{"id":7245,"date":"2010-05-26T02:18:50","date_gmt":"2010-05-26T01:18:50","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=7245"},"modified":"2010-05-26T02:24:49","modified_gmt":"2010-05-26T01:24:49","slug":"assorted-peacocks","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/05\/26\/assorted-peacocks\/","title":{"rendered":"Assorted peacocks"},"content":{"rendered":"

\"helbert.jpg\"<\/a><\/p>\n

I have a peacock-heavy piece of art out next month so with that grasping for spurious relevance here’s a few more peacock discoveries.<\/p>\n

Antoine Helbert<\/a>‘s untitled peacock man is one of a number of striking portraits turning humans into birds. Via Chateau Thombeau<\/a>.<\/p>\n

\"peacock1.jpg\"<\/a><\/p>\n

Peacock styles, Anchor Buggy Co. (1897) at the Library of Congress<\/a>.<\/em><\/p>\n


\n<\/em><\/p>\n

\"peacock2.jpg\"<\/a><\/p>\n

Tile Plaque (1909\u20131911) by Frederick Hurten Rhead & Agnes Rhead at Los Angeles County Museum of Art<\/a>.<\/em><\/p>\n

\"peacock3.jpg\"<\/a><\/p>\n

Carson’s Peacock Chocolate (1924) by “Shep” at mikeyashworth’s photostream<\/a>.<\/em><\/p>\n

Also at Flickr, various photos of the peacock window fa\u00e7ade of the Pastisseria Escriba<\/a>, Barcelona.<\/p>\n

Previously on { feuilleton }
\n\u2022 Mayuri lute<\/a>
\n\u2022 Betty Blythe<\/a>
\n\u2022 Margaret Armstrong book designs<\/a>
\n\u2022 Ronald Balfour\u2019s Rub\u00e1iy\u00e1t<\/a>
\n\u2022 Jaipur peacocks<\/a>
\n\u2022 Maruyama Okyo\u2019s peacocks<\/a>
\n\u2022 Peacock man<\/a>
\n\u2022 Winged things<\/a>
\n\u2022 Dimitris Yeros<\/a>
\n\u2022 Louis Rhead\u2019s peacocks<\/a>
\n\u2022 The White Peacock<\/a>
\n\u2022 Peacocks<\/a>
\n\u2022 Whistler\u2019s Peacock Room<\/a>
\n\u2022 Beardsley\u2019s Salom\u00e9<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

I have a peacock-heavy piece of art out next month so with that grasping for spurious relevance here’s a few more peacock discoveries. Antoine Helbert‘s untitled peacock man is one of a number of striking portraits turning humans into birds. Via Chateau Thombeau. Peacock styles, Anchor Buggy Co. (1897) at the Library of Congress.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,4,48],"tags":[1342,1340,988,424,1341,78,971,704,444,858,123],"class_list":["post-7245","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-design","category-illustrators","tag-agnes-rhead","tag-antoine-helbert","tag-betty-blythe","tag-dimitris-yeros","tag-frederick-hurten-rhead","tag-louis-rhead","tag-margaret-armstrong","tag-maruyama-okyo","tag-peacocks","tag-ronald-balfour","tag-salome"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1SR","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=7245"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7245\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=7245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=7245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=7245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}