{"id":7241,"date":"2010-05-25T02:55:11","date_gmt":"2010-05-25T01:55:11","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=7241"},"modified":"2010-05-25T02:55:35","modified_gmt":"2010-05-25T01:55:35","slug":"passage-13","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/05\/25\/passage-13\/","title":{"rendered":"Passage 13"},"content":{"rendered":"

\"passage13.jpg\"<\/a><\/p>\n

Ed Jansen writes again with news that no. 13 of his Dutch-language web magazine Passage<\/em><\/a> is now online:<\/p>\n

Number 13 of Passage<\/em> contains stories about the Buddha Machine, a strange little box that emits music, then there is ‘Escape from the dollhouse?’, which is about the art of Hans Bellmer, surreal and strangely erotic, ‘The Skeleton that Climbed in Through the Window’ tells the equally strange and sad story of the life of Unica Z\u00fcrn, companion of Bellmer and ‘Nomads of the Timestream’ is of course about the work of Michael Moorcock. This collection begins and ends with two sides of a story about the version of the visit of Odysseus to the Underworld, by Ezra Pound.<\/p><\/blockquote>\n

The customary eclectic mix, in other words. The Buddha Machine section is a nice overview of recent ambient music machines. I love the ad art for Zhang Jian’s Short-Wave of Bengal Bay<\/em>.<\/p>\n

\"jian.jpg\"<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Passage 12<\/a>
\n\u2022 Gristleism<\/a>
\n\u2022 Passage 11<\/a>
\n\u2022 Buddha Machine Wall<\/a>
\n\u2022 Passage 10<\/a>
\n\u2022 God in the machines<\/a>
\n\u2022 Layering Buddha by Robert Henke<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Ed Jansen writes again with news that no. 13 of his Dutch-language web magazine Passage is now online: Number 13 of Passage contains stories about the Buddha Machine, a strange little box that emits music, then there is ‘Escape from the dollhouse?’, which is about the art of Hans Bellmer, surreal and strangely erotic, ‘The … Continue reading “Passage 13”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,21,43,3,20,41,15],"tags":[209,143,390,749,1337,65,144,1338,1339],"class_list":["post-7241","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-fantasy","category-magazines","category-music","category-science-fiction","category-sculpture","category-technology","tag-ambient-music","tag-buddha-machine","tag-ed-jansen","tag-ezra-pound","tag-hans-bellmer","tag-michael-moorcock","tag-robert-henke","tag-unica-zurn","tag-zhang-jian"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1SN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=7241"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7241\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=7241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=7241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=7241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}