{"id":7054,"date":"2010-04-15T02:25:00","date_gmt":"2010-04-15T01:25:00","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=7054"},"modified":"2010-04-15T02:25:00","modified_gmt":"2010-04-15T01:25:00","slug":"hector-guimard-sketches","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/04\/15\/hector-guimard-sketches\/","title":{"rendered":"Hector Guimard sketches"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/04\/guimard1.jpg\" alt=\"guimard1.jpg\" \/><\/p>\n<p><em>Projet pour la couverture Revue d&#8217;art (1899).<\/em><\/p>\n<p>French architect and designer Hector Guimard (1867\u20131942) is most renowned today for his entrances to the Paris Metro but his work extended from architecture to interior and graphic design, much of it a superior application of the Art Nouveau style. <a href=\"http:\/\/www.lecercleguimard.com\/\" target=\"_blank\">Le cercle Guimard<\/a> is a site devoted to the designer&#8217;s work (French-only for now) while these sketches are from a substantial collection at the <a href=\"http:\/\/www.musee-orsay.fr\/en\/home.html\" target=\"_blank\">Mus\u00e9e d&#8217;Orsay<\/a>, Paris.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/04\/guimard2.jpg\" alt=\"guimard2.jpg\" \/><\/p>\n<p><em>Projet de demi-canap\u00e9 pour Mme Legrand (1900).<\/em><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/09\/05\/temples-for-future-religions-by-francois-garas\/\">Temples for Future Religions by Fran\u00e7ois Garas<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/09\/elizabetes-iela-10b-riga\/\">Elizabetes Iela 10b, Riga<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/04\/05\/atelier-elvira\/\">Atelier Elvira<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/30\/louis-bonniers-exposition-dreams\/\">Louis Bonnier\u2019s exposition dreams<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/20\/the-maison-lavirotte\/\">The Maison Lavirotte<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/10\/02\/the-house-with-chimaeras\/\">The House with Chimaeras<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Projet pour la couverture Revue d&#8217;art (1899). French architect and designer Hector Guimard (1867\u20131942) is most renowned today for his entrances to the Paris Metro but his work extended from architecture to interior and graphic design, much of it a superior application of the Art Nouveau style. Le cercle Guimard is a site devoted to &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/04\/15\/hector-guimard-sketches\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Hector Guimard sketches&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,58,4],"tags":[699,1207,824],"class_list":["post-7054","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art-nouveau","category-design","tag-francois-garas","tag-hector-guimard","tag-musee-dorsay"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1PM","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=7054"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7054\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=7054"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=7054"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=7054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}