![\"uno1.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/04\/uno1.jpg\")
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First Love Inferno (1968).<\/em><\/p>\n There’s very little web information available for Aquirax Uno, a Japanese artist active in the 1960s and 1970s who really ought to have a dedicated site. Much of his work seems to be poster art for cinema or product advertising, and, as usual on the web, what there is tends to get repeated a great deal. You can see more examples like these at Pink Tentacle<\/a>, Ganymede Kids<\/a> and Beautiful\/Decay<\/a>.<\/p>\n Keiko\u2019s at Marubutsu Department Store (1967).<\/em><\/p>\n Previously on { feuilleton } First Love Inferno (1968). There’s very little web information available for Aquirax Uno, a Japanese artist active in the 1960s and 1970s who really ought to have a dedicated site. Much of his work seems to be poster art for cinema or product advertising, and, as usual on the web, what there is tends to … Continue reading “The art of Aquirax Uno”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4,7,17,18],"tags":[1206,1320,117,254,2956,574,1321,123],"class_list":["post-7051","post","type-post","status-publish","format-standard","hentry","category-design","category-film","category-psychedelia","category-surrealism","tag-aquirax-uno","tag-bob-peak","tag-dorian-gray","tag-franciszek-starowieyski","tag-ganymede","tag-kaleidoscope","tag-richard-amsel","tag-salome"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1PJ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=7051"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/7051\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=7051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=7051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=7051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"uno2.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/04\/uno2.jpg\")
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\n\u2022 Alice in Acidland<\/a>
\n\u2022 Salom\u00e9 posters<\/a>
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\n\u2022 Kaleidoscope: the switched-on thriller<\/a>
\n\u2022 The Robing of The Birds<\/a>
\n\u2022 Franciszek Starowieyski, 1930\u20132009<\/a>
\n\u2022 Dallamano\u2019s Dorian Gray<\/a>
\n\u2022 Czech film posters<\/a>
\n\u2022 The poster art of Richard Amsel<\/a>
\n\u2022 Bollywood posters<\/a>
\n\u2022 Lussuria, Invidia, Superbia<\/a>
\n\u2022 The poster art of Bob Peak<\/a>
\n\u2022 A premonition of Premonition<\/a>
\n\u2022 Metropolis posters<\/a>
\n\u2022 Film noir posters<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"