{"id":6983,"date":"2010-03-30T03:06:21","date_gmt":"2010-03-30T02:06:21","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=6983"},"modified":"2010-03-30T03:06:21","modified_gmt":"2010-03-30T02:06:21","slug":"barry-underwood","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/03\/30\/barry-underwood\/","title":{"rendered":"Barry Underwood"},"content":{"rendered":"<p><a href=\"http:\/\/www.skewgallery.com\/underwood.htm\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/03\/underwood1.jpg\" alt=\"underwood1.jpg\" \/><\/a><\/p>\n<p><em>Blue (2005).<\/em><\/p>\n<p>Photographs by Barry Underwood at <a href=\"http:\/\/www.skewgallery.com\/underwood.htm\" target=\"_blank\">Skew Gallery<\/a>. Plenty of other people have tried the long exposure in the woods effect but these are something else.<\/p>\n<p><a href=\"http:\/\/www.skewgallery.com\/underwood.htm\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/03\/underwood2.jpg\" alt=\"underwood2.jpg\" \/><\/a><\/p>\n<p><em>Aurora (Green) (2007).<\/em><\/p>\n<p><a href=\"http:\/\/www.skewgallery.com\/underwood.htm\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/03\/underwood3.jpg\" alt=\"underwood3.jpg\" \/><\/a><\/p>\n<p><em>Orange Stream (2008).<\/em><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/03\/18\/the-art-of-rune-guneriussen\/\">The art of Rune Guneriussen<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/07\/07\/lightmark\/\" target=\"_self\">Lightmark<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/09\/14\/maximum-silence-by-giancarlo-neri\/\" target=\"_self\">Maximum Silence by Giancarlo Neri<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/12\/01\/volume-at-the-va\/\">Volume at the V&amp;A<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Blue (2005). Photographs by Barry Underwood at Skew Gallery. Plenty of other people have tried the long exposure in the woods effect but these are something else. Aurora (Green) (2007). Orange Stream (2008). Previously on { feuilleton } \u2022 The art of Rune Guneriussen \u2022 Lightmark \u2022 Maximum Silence by Giancarlo Neri \u2022 Volume at &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/03\/30\/barry-underwood\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Barry Underwood&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,12,41],"tags":[1143,288],"class_list":["post-6983","post","type-post","status-publish","format-standard","hentry","category-art","category-photography","category-sculpture","tag-barry-underwood","tag-rune-guneriussen"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1OD","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=6983"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6983\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=6983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=6983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=6983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}