{"id":6906,"date":"2010-03-12T03:52:30","date_gmt":"2010-03-12T02:52:30","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=6906"},"modified":"2010-03-12T03:52:30","modified_gmt":"2010-03-12T02:52:30","slug":"exposition-jewellery","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/03\/12\/exposition-jewellery\/","title":{"rendered":"Exposition jewellery"},"content":{"rendered":"

\"grasset1.jpg\"<\/a><\/p>\n

Broche Marguerite.<\/em><\/p>\n

Still in the 19th century, and more contributions to the Paris Exposition Universelle of 1900. The first and third of these are collaborations between Art Nouveau designer Eug\u00e8ne Grasset<\/a> and jeweller brothers Henri & Paul Vever. The butterfly woman is Henri Vever’s own creation.<\/p>\n

Well-known jewellers since the 1870s, Henri and Paul Vever broke new ground at the Universal Exhibition of 1900 when they presented a new line of “artistic” jewellery alongside more traditional pieces. They asked the decorator Eug\u00e8ne Grasset to design the new pieces. Grasset, who was the author of the famous vignette on Larousse dictionaries: “Je s\u00e8me \u00e0 tous vents”, had trained as a sculptor, designed furniture, posters, stained-glass windows and ceramics and made a name as an illustrator. (More<\/a>.)<\/p><\/blockquote>\n

\"vever.jpg\"<\/a><\/p>\n

Sylvia.<\/em><\/p>\n

\"grasset2.jpg\"<\/a><\/p>\n

Apparitions.<\/em><\/p>\n

Previously on { feuilleton }
\n\u2022 Exposition Universelle catalogue<\/a>
\n\u2022 Jewelled butterflies and cephalopods<\/a>
\n\u2022 Exposition Universelle publications<\/a>
\n\u2022 Exposition cornucopia<\/a>
\n\u2022 Return to the Exposition Universelle<\/a>
\n\u2022 The Palais Lumineux<\/a>
\n\u2022 Louis Bonnier\u2019s exposition dreams<\/a>
\n\u2022 Exposition Universelle, 1900<\/a>
\n\u2022 The art of Philippe Wolfers, 1858\u20131929<\/a>
\n\u2022 The Palais du Trocad\u00e9ro<\/a>
\n\u2022 Lalique\u2019s dragonflies<\/a>
\n\u2022 Lucien Gaillard<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Broche Marguerite. Still in the 19th century, and more contributions to the Paris Exposition Universelle of 1900. The first and third of these are collaborations between Art Nouveau designer Eug\u00e8ne Grasset and jeweller brothers Henri & Paul Vever. The butterfly woman is Henri Vever’s own creation. Well-known jewellers since the 1870s, Henri and Paul Vever … Continue reading “Exposition jewellery”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,4,57],"tags":[1952,1070,120,1072,1071,2349],"class_list":["post-6906","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-design","category-fashion","tag-cephalopods","tag-eugene-grasset","tag-expositions","tag-henri-vever","tag-paul-vever","tag-philippe-wolfers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1No","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=6906"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6906\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=6906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=6906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=6906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}