{"id":6798,"date":"2010-02-19T03:44:25","date_gmt":"2010-02-19T02:44:25","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=6798"},"modified":"2010-02-19T03:44:25","modified_gmt":"2010-02-19T02:44:25","slug":"contemporary-bookbindings","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/02\/19\/contemporary-bookbindings\/","title":{"rendered":"Contemporary bookbindings"},"content":{"rendered":"<p><a href=\"http:\/\/www.guildofbookworkers.org\/gallery\/100anniversary\/contemp\/BrockmanJ.shtml\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/02\/binding1.jpg\" alt=\"binding1.jpg\" \/><\/a><\/p>\n<p><em>Binding by James Brockman for The Special Bindings of Gwasg Gregynog (2004).<\/em><\/p>\n<p>Two examples from a stunning collection of contemporary bookbindings at the <a href=\"http:\/\/www.guildofbookworkers.org\/gallery\/100anniversary\/contemp\/contemp.shtml\" target=\"_blank\">Guild of Book Workers&#8217; website<\/a>. These are the more traditional leather bindings but some of the others play with the form of the book in a variety of <a href=\"http:\/\/www.guildofbookworkers.org\/gallery\/100anniversary\/contemp\/Maryatt.shtml\" target=\"_blank\">inventive<\/a> <a href=\"http:\/\/www.guildofbookworkers.org\/gallery\/100anniversary\/contemp\/Norman.shtml\" target=\"_blank\">ways<\/a>. Thanks to <a href=\"http:\/\/chateauthombeau.blogspot.com\/\" target=\"_blank\">Thom<\/a> for the tip!<\/p>\n<p><a href=\"http:\/\/www.guildofbookworkers.org\/gallery\/100anniversary\/contemp\/lallier.shtml\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/02\/binding2.jpg\" alt=\"binding2.jpg\" \/><\/a><\/p>\n<p><em>Binding by Monique Lallier for La Premiere \u00c9cole d\u2019Arts Graphiques en Amerique (2006).<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-book-covers-archive\/\" target=\"_self\">The book covers archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Binding by James Brockman for The Special Bindings of Gwasg Gregynog (2004). Two examples from a stunning collection of contemporary bookbindings at the Guild of Book Workers&#8217; website. These are the more traditional leather bindings but some of the others play with the form of the book in a variety of inventive ways. Thanks to &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/02\/19\/contemporary-bookbindings\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Contemporary bookbindings&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,4],"tags":[1001,1002],"class_list":["post-6798","post","type-post","status-publish","format-standard","hentry","category-books","category-design","tag-james-brockman","tag-monique-lallier"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1LE","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=6798"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6798\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=6798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=6798"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=6798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}