{"id":6766,"date":"2010-02-10T03:20:06","date_gmt":"2010-02-10T02:20:06","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=6766"},"modified":"2010-02-10T03:20:06","modified_gmt":"2010-02-10T02:20:06","slug":"betty-blythe","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/02\/10\/betty-blythe\/","title":{"rendered":"Betty Blythe"},"content":{"rendered":"<p><a href=\"http:\/\/www.mjackson-ancientjewellery.com.au\/Queen%20of%20Sheba.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/02\/blythe1.jpg\" alt=\"blythe1.jpg\" \/><\/a><\/p>\n<p>Yesterday&#8217;s search for <a href=\"http:\/\/www.imdb.com\/name\/nm0090029\/\" target=\"_blank\">Betty Blythe<\/a> pictures turned up this pair which I couldn&#8217;t resist posting, with Ms. Blythe posed against a peacock in the first and wearing a peacock-styled outfit in the second. <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/20\/alla-nazimovas-salome\/\">As I&#8217;ve noted before<\/a>, silent films are very often like Symbolist paintings come to life, and <a href=\"http:\/\/www.imdb.com\/title\/tt0012600\/\" target=\"_blank\"><em>The Queen of Sheba<\/em><\/a> (1921) would appear to be another of these which makes its loss all the more disappointing. The photo below is from <a href=\"http:\/\/www.flickr.com\/photos\/liebemarlene\/sets\/72157615331232866\/\" target=\"_blank\">a Flickr set<\/a> whose user has her own <a href=\"http:\/\/liebemarlene.tumblr.com\/\" target=\"_blank\">Tumblr blog<\/a> of silent movie stars.<\/p>\n<p><a href=\"http:\/\/www.flickr.com\/photos\/liebemarlene\/3192934623\/sizes\/o\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/02\/blythe2.jpg\" alt=\"blythe2.jpg\" \/><\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/02\/09\/the-mask-of-fu-manchu\/\">The Mask of Fu Manchu<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/11\/29\/salome-posters\/\">Salom\u00e9 posters<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/12\/18\/ruth-st-denis\/\">Ruth St Denis<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/13\/the-feminine-sphinx\/\">The Feminine Sphinx<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/08\/30\/lussuria-invidia-superbia\/\">Lussuria, Invidia, Superbia<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/20\/alla-nazimovas-salome\/\">Alla Nazimova\u2019s Salom\u00e9<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yesterday&#8217;s search for Betty Blythe pictures turned up this pair which I couldn&#8217;t resist posting, with Ms. Blythe posed against a peacock in the first and wearing a peacock-styled outfit in the second. As I&#8217;ve noted before, silent films are very often like Symbolist paintings come to life, and The Queen of Sheba (1921) would &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/02\/10\/betty-blythe\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Betty Blythe&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[57,7,43,12],"tags":[785,988,2517,444,675,123],"class_list":["post-6766","post","type-post","status-publish","format-standard","hentry","category-fashion","category-film","category-magazines","category-photography","tag-alla-nazimova","tag-betty-blythe","tag-fu-manchu","tag-peacocks","tag-ruth-st-denis","tag-salome"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1L8","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=6766"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6766\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=6766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=6766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=6766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}