{"id":6728,"date":"2010-01-29T02:25:49","date_gmt":"2010-01-29T01:25:49","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=6728"},"modified":"2010-10-14T16:46:39","modified_gmt":"2010-10-14T15:46:39","slug":"bradley-does-beardsley","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/01\/29\/bradley-does-beardsley\/","title":{"rendered":"Bradley does Beardsley"},"content":{"rendered":"

\"bradley.jpg\"<\/a><\/p>\n

Browsing various bookbinding sites this week turned up a gorgeous cover design I hadn’t seen before by the great Will Bradley<\/a> (1868\u20131962). The Beardsley influence is unmistakable, of course, and more pronounced than one usually sees in Bradley’s work. Richard Le Gallienne is a familiar name to scholars of the London fin de si\u00e8cle<\/em> scene although I can’t testify to the quality of this novel which was published in 1898, the year of Beardsley’s death. If you want to give it a go, the Internet Archive<\/a> has the entire thing in its Bradley livery.<\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The book covers archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Peacocks<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Browsing various bookbinding sites this week turned up a gorgeous cover design I hadn’t seen before by the great Will Bradley (1868\u20131962). The Beardsley influence is unmistakable, of course, and more pronounced than one usually sees in Bradley’s work. Richard Le Gallienne is a familiar name to scholars of the London fin de si\u00e8cle scene … Continue reading “Bradley does Beardsley”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,2,50,42,4,48],"tags":[136,444,966,965],"class_list":["post-6728","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-art","category-beardsley","category-books","category-design","category-illustrators","tag-fin-de-siecle","tag-peacocks","tag-richard-le-gallienne","tag-will-bradley"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1Kw","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=6728"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6728\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=6728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=6728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=6728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}