{"id":6673,"date":"2010-01-17T04:13:13","date_gmt":"2010-01-17T03:13:13","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=6673"},"modified":"2010-01-17T05:01:07","modified_gmt":"2010-01-17T04:01:07","slug":"secession-posters","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/01\/17\/secession-posters\/","title":{"rendered":"Secession posters"},"content":{"rendered":"<p><a href=\"http:\/\/digitalmedia.lawrence.edu\/cdm4\/results.php?CISOOP1=any&amp;CISOFIELD1=title&amp;CISOROOT=\/AP&amp;CISOBOX1=Secession\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/01\/secession1.jpg\" alt=\"secession1.jpg\" \/><\/a><\/p>\n<p><em>Alfred Roller (1901 &amp; 02).<\/em><\/p>\n<p><a href=\"http:\/\/digitalmedia.lawrence.edu\/cdm4\/results.php?CISOOP1=any&amp;CISOFIELD1=title&amp;CISOROOT=\/AP&amp;CISOBOX1=Secession\" target=\"_blank\">A selection of posters<\/a> for the <a href=\"http:\/\/www.senses-artnouveau.com\/biography.php?artist=SEC\" target=\"_blank\">Vienna Secession<\/a> at Lawrence University&#8217;s Art of the Poster site. Alfred Roller&#8217;s stylised lettering on the poster below was famously adapted by <a href=\"http:\/\/www.wolfgangsvault.com\/otis-rush-chicago-blues-band\/poster-art\/poster\/BG053.html\" target=\"_blank\">Wes Wilson<\/a> for his psychedelic designs in the 1960s.<\/p>\n<p><a href=\"http:\/\/digitalmedia.lawrence.edu\/cdm4\/results.php?CISOOP1=any&amp;CISOFIELD1=title&amp;CISOROOT=\/AP&amp;CISOBOX1=Secession\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/01\/secession2.jpg\" alt=\"secession2.jpg\" \/><\/a><\/p>\n<p><em>left: Koloman Moser (1902); right: Alfred Roller (1903).<\/em><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/01\/05\/the-art-of-henri-privat-livemont-1861-1936\/\">The art of Henri Privat-Livemont, 1861\u20131936<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/09\/26\/wilhelm-kage\/\">Wilhelm K\u00e5ge<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/02\/04\/art-nouveau-illustration\/\">Art Nouveau illustration<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alfred Roller (1901 &amp; 02). A selection of posters for the Vienna Secession at Lawrence University&#8217;s Art of the Poster site. Alfred Roller&#8217;s stylised lettering on the poster below was famously adapted by Wes Wilson for his psychedelic designs in the 1960s. left: Koloman Moser (1902); right: Alfred Roller (1903). Previously on { feuilleton } &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/01\/17\/secession-posters\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Secession posters&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,2,4,17],"tags":[945,904,946,947,725],"class_list":["post-6673","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-art","category-design","category-psychedelia","tag-alfred-roller","tag-henri-privat-livemont","tag-koloman-moser","tag-wes-wilson","tag-wilhelm-kage"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1JD","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=6673"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6673\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=6673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=6673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=6673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}