{"id":6660,"date":"2010-01-15T03:53:10","date_gmt":"2010-01-15T02:53:10","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=6660"},"modified":"2010-01-15T03:53:10","modified_gmt":"2010-01-15T02:53:10","slug":"ecce-homo","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/01\/15\/ecce-homo\/","title":{"rendered":"Ecce homo"},"content":{"rendered":"<p><a href=\"http:\/\/www.yvesdebrabander.com\/ecce.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/01\/brabander.jpg\" alt=\"brabander.jpg\" \/><\/a><\/p>\n<p>Saint Sebastian appears rather unconcerned by his wounds in this contemporary version by Yves De Brabander, part of his <a href=\"http:\/\/www.yvesdebrabander.com\/ecce.html\" target=\"_blank\"><em>Ecce Homo<\/em><\/a> series which reworks some recurrent themes from western art history.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-gay-artists-archive\/\">The gay artists archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/10\/22\/the-art-of-robert-sherer\/\">The art of Robert Sherer<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/06\/19\/the-art-of-joan-sasgar\/\">The art of Joan Sasgar<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/28\/saint-sebastian-in-nyc\/\">Saint Sebastian in NYC<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/02\/17\/guido-renis-saint-sebastian\/\">Guido Reni\u2019s Saint Sebastian<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/25\/the-art-of-takato-yamamoto\/\">The art of Takato Yamamoto<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/08\/fred-holland-day\/\">Fred Holland Day<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saint Sebastian appears rather unconcerned by his wounds in this contemporary version by Yves De Brabander, part of his Ecce Homo series which reworks some recurrent themes from western art history. Elsewhere on { feuilleton } \u2022 The gay artists archive Previously on { feuilleton } \u2022 The art of Robert Sherer \u2022 The art &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/01\/15\/ecce-homo\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Ecce homo&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,5,12],"tags":[1187,757,7411,941],"class_list":["post-6660","post","type-post","status-publish","format-standard","hentry","category-art","category-gay","category-photography","tag-fred-holland-day","tag-robert-sherer","tag-saint-sebastian","tag-yves-de-brabander"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1Jq","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=6660"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6660\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=6660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=6660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=6660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}