{"id":6627,"date":"2010-01-09T04:00:27","date_gmt":"2010-01-09T03:00:27","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=6627"},"modified":"2010-01-09T04:00:27","modified_gmt":"2010-01-09T03:00:27","slug":"joseph-cavalieris-stained-glass","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/01\/09\/joseph-cavalieris-stained-glass\/","title":{"rendered":"Joseph Cavalieri&#8217;s stained glass"},"content":{"rendered":"<p><a href=\"http:\/\/cavaglass.com\/gallery\/1.MENAGE.htm\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/01\/cavalieri1.jpg\" alt=\"cavalieri1.jpg\" \/><\/a><\/p>\n<p><em>The Good Ship M\u00e9nage \u00c0 Trois (2008).<\/em><\/p>\n<p>New York artist <a href=\"http:\/\/cavaglass.com\/\" target=\"_blank\">Joseph Cavalieri<\/a>&#8216;s stained glass work using <a href=\"http:\/\/cavaglass.com\/gallery\/1.SIMP.htm\" target=\"_blank\">Simpsons characters<\/a> received a flurry of blogospheric attention recently. Of more interest for me is his gay-themed panels like the one above which show a different approach to the medium from that taken by <a href=\"http:\/\/www.ikostudio.it\/erotiche.php?lan=eng\" target=\"_blank\">Diego Tolomelli<\/a>.<\/p>\n<p><a href=\"http:\/\/cavaglass.com\/gallery\/1.GORMENGHASTdetail.htm\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2010\/01\/cavalieri2.jpg\" alt=\"cavalieri2.jpg\" \/><\/a><\/p>\n<p><em>Gormenghast (2009).<\/em><\/p>\n<p>And since I happen to be re-reading Mervyn Peake&#8217;s <em>Gormenghast<\/em> trilogy at the moment, this panel was especially noteworthy. See the full piece <a href=\"http:\/\/cavaglass.com\/gallery\/1.GORMENGHAST.htm\" target=\"_blank\">here<\/a>.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-gay-artists-archive\/\">The gay artists archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/10\/13\/mervyn-peake-at-maison-dailleurs\/\">Mervyn Peake at Maison d\u2019Ailleurs<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/06\/10\/harry-clarkes-stained-glass\/\">Harry Clarke\u2019s stained glass<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/08\/17\/iko-stained-glass\/\">IKO stained glass<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Good Ship M\u00e9nage \u00c0 Trois (2008). New York artist Joseph Cavalieri&#8216;s stained glass work using Simpsons characters received a flurry of blogospheric attention recently. Of more interest for me is his gay-themed panels like the one above which show a different approach to the medium from that taken by Diego Tolomelli. Gormenghast (2009). And &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/01\/09\/joseph-cavalieris-stained-glass\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Joseph Cavalieri&#8217;s stained glass&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,21,5],"tags":[4687,99,927,79,2373],"class_list":["post-6627","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-fantasy","category-gay","tag-gormenghast","tag-harry-clarke","tag-joseph-cavalieri","tag-mervyn-peake","tag-stained-glass"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1IT","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=6627"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6627\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=6627"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=6627"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=6627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}