{"id":6436,"date":"2009-12-05T04:32:26","date_gmt":"2009-12-05T03:32:26","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=6436"},"modified":"2010-10-23T21:10:40","modified_gmt":"2010-10-23T20:10:40","slug":"peyote-queen-by-storm-de-hirsch","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/12\/05\/peyote-queen-by-storm-de-hirsch\/","title":{"rendered":"Peyote Queen by Storm de Hirsch"},"content":{"rendered":"<p><a href=\"http:\/\/www.ubu.com\/film\/de_hirsch_peyote.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/12\/peyote.jpg\" alt=\"peyote.jpg\" \/><\/a><\/p>\n<p>Ubuweb turns up another gem of abstract cinema with this 1965 work by Storm de Hirsch. The only film of hers I&#8217;d seen prior to this was <a href=\"http:\/\/www.anthologyfilmarchives.org\/facilities\/film-stills\/stills-list\/?fn=film_stills&amp;film_id=33\" target=\"_blank\"><em>Third Eye Butterfly<\/em><\/a> (1968), screened at the 2005 <em>Summer of Love<\/em> psychedelia exhibition. Both these shorts share the same spilt-screen effect but <a href=\"http:\/\/www.ubu.com\/film\/de_hirsch_peyote.html\" target=\"_blank\"><em>Peyote Queen<\/em><\/a> cuts kaleidoscopic views of the woman in question with brightly-coloured animated glyphs and shapes created by drawing directly onto the film emulsion. This is an old technique which goes back at least as far as Len Lye&#8217;s pioneering films of the 1930s. <em>Peyote Queen<\/em>&#8216;s drum soundtrack and white dots flickering on black are very reminiscent of Lye&#8217;s brilliantly minimal <a href=\"http:\/\/www.youtube.com\/watch?v=sGyVYDseGc4\" target=\"_blank\"><em>Free Radicals<\/em><\/a> (1958) which was also made by scratching the film.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/07\/29\/mary-ellen-bute-films-1934-1957\/\" target=\"_self\">Mary Ellen Bute: Films 1934\u20131957<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ubuweb turns up another gem of abstract cinema with this 1965 work by Storm de Hirsch. The only film of hers I&#8217;d seen prior to this was Third Eye Butterfly (1968), screened at the 2005 Summer of Love psychedelia exhibition. Both these shorts share the same spilt-screen effect but Peyote Queen cuts kaleidoscopic views of &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/12\/05\/peyote-queen-by-storm-de-hirsch\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Peyote Queen by Storm de Hirsch&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[49,52,851,7,17],"tags":[850,1884,849,119],"class_list":["post-6436","post","type-post","status-publish","format-standard","hentry","category-abstract-cinema","category-animation","category-drugs","category-film","category-psychedelia","tag-len-lye","tag-mary-ellen-bute","tag-storm-de-hirsch","tag-ubuweb"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1FO","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=6436"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6436\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=6436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=6436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=6436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}