{"id":6308,"date":"2009-11-09T04:11:54","date_gmt":"2009-11-09T03:11:54","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=6308"},"modified":"2023-12-17T13:56:02","modified_gmt":"2023-12-17T13:56:02","slug":"beardsley-at-the-va","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/11\/09\/beardsley-at-the-va\/","title":{"rendered":"Beardsley at the V&#038;A"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/11\/abva.jpg\" alt=\"abva.jpg\" \/><\/p>\n<p>This battered item is my copy of the V&amp;A guide to the landmark Aubrey Beardsley exhibition held at the museum from May to September 1966. That exhibition introduced Beardsley to a new public and made his work very trendy for a while, helped by the Beardsley-styled sleeve of the <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/09\/09\/aubrey-beardsleys-musical-afterlife\/\" target=\"_self\" rel=\"noopener\">Beatles&#8217; <em>Revolver<\/em> album<\/a> which was released the same year, and a general resurgence of interest in <em>fin de si\u00e8cle<\/em> style. Aside from a rare unfinished drawing, there isn&#8217;t anything in the booklet which hasn&#8217;t been reprinted many times elsewhere but it does contain an excellent overview of the artist&#8217;s career by Beardsley scholar Brian Reade.<\/p>\n<p><a href=\"http:\/\/collections.vam.ac.uk\/item\/O11562\/wallpaper\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/11\/abva2.jpg\" alt=\"abva2.jpg\" \/><\/a><\/p>\n<p>The V&amp;A website has gained a new feature recently which allows you to <a href=\"http:\/\/collections.vam.ac.uk\/\" target=\"_blank\" rel=\"noopener\">search their collections<\/a> with either a specific search or a random browse. The results don&#8217;t give the kind of high-resolution results which I&#8217;d like (unlike the British Museum) but the <a href=\"http:\/\/collections.vam.ac.uk\/search\/?listing_type=image&amp;offset=0&amp;limit=15&amp;narrow=0&amp;q=beardsley&amp;commit=Search&amp;quality=2&amp;objectnamesearch=&amp;placesearch=&amp;after=&amp;after-adbc=AD&amp;before=&amp;before-adbc=AD&amp;namesearch=&amp;materialsearch=&amp;mnsearch=&amp;locationsearch=\" target=\"_blank\" rel=\"noopener\">Beardsley works<\/a> can now be seen in something like their actual condition, edge of the paper and all. Also present is the above piece of Beardsley trivia, <a href=\"http:\/\/collections.vam.ac.uk\/item\/O11562\/wallpaper\/\" target=\"_blank\" rel=\"noopener\">a yellowed sheet of wallpaper<\/a> manufactured by Arthur Sanderson &amp; Sons Ltd in 1967. The Deansgate office of <a href=\"http:\/\/www.savoy.abel.co.uk\/\" target=\"_blank\" rel=\"noopener\">Savoy Books<\/a> was once covered in this stuff but had unfortunately been papered over by the time I arrived on the scene.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-aubrey-beardsley-archive\/\">The Aubrey Beardsley archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This battered item is my copy of the V&amp;A guide to the landmark Aubrey Beardsley exhibition held at the museum from May to September 1966. That exhibition introduced Beardsley to a new public and made his work very trendy for a while, helped by the Beardsley-styled sleeve of the Beatles&#8217; Revolver album which was released &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/11\/09\/beardsley-at-the-va\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Beardsley at the V&#038;A&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,50,42,4,48],"tags":[785,94,798,136,123,151,178],"class_list":["post-6308","post","type-post","status-publish","format-standard","hentry","category-art","category-beardsley","category-books","category-design","category-illustrators","tag-alla-nazimova","tag-aubrey-beardsley","tag-brian-reade","tag-fin-de-siecle","tag-salome","tag-savoy-books","tag-the-beatles"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1DK","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=6308"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6308\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=6308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=6308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=6308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}