{"id":6282,"date":"2009-11-03T04:13:01","date_gmt":"2009-11-03T03:13:01","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=6282"},"modified":"2009-11-03T06:41:27","modified_gmt":"2009-11-03T05:41:27","slug":"heart-of-dance","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/11\/03\/heart-of-dance\/","title":{"rendered":"Heart of dance"},"content":{"rendered":"

\"rnc.jpg\"<\/a><\/p>\n

One of a series of stunning ads by Y&R of Chicago for the River North Chicago Dance Company<\/a> which give the old “body as machine” a contemporary and rather erotic twist. (I would have credited the photographer but the ad agency site is the usual Flash interface which refuses to work in any of my browsers.) The picture below is an older version of the meme by Fritz Kahn<\/a> from 1926.<\/p>\n

\"kahn.jpg\"<\/a><\/p>\n

Via Homotography<\/a>.<\/p>\n

Previously on { feuilleton }
\n\u2022 Tiger Lily<\/a>
\n\u2022 Chris Nash<\/a>
\n\u2022 Peter Reed and Salom\u00e9 After Dark<\/a>
\n\u2022 Felix D\u2019Eon<\/a>
\n\u2022 Dancers by John Andresen<\/a>
\n\u2022 Youssef Nabil<\/a>
\n\u2022 Images of Nijinsky<\/a>
\n\u2022 The art of Hubert Stowitts, 1892\u20131953<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

One of a series of stunning ads by Y&R of Chicago for the River North Chicago Dance Company which give the old “body as machine” a contemporary and rather erotic twist. (I would have credited the photographer but the ad agency site is the usual Flash interface which refuses to work in any of my … Continue reading “Heart of dance”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[56,4,36,12],"tags":[783,1580,3110,696,1270,782,123],"class_list":["post-6282","post","type-post","status-publish","format-standard","hentry","category-dance","category-design","category-eye-candy","category-photography","tag-fritz-kahn","tag-homotography","tag-kahn","tag-nijinsky","tag-peter-reed","tag-river-north-chicago-dance","tag-salome"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1Dk","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=6282"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6282\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=6282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=6282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=6282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}