{"id":6138,"date":"2009-09-26T03:02:27","date_gmt":"2009-09-26T02:02:27","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=6138"},"modified":"2009-09-26T03:02:27","modified_gmt":"2009-09-26T02:02:27","slug":"wilhelm-kage","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/09\/26\/wilhelm-kage\/","title":{"rendered":"Wilhelm K\u00e5ge"},"content":{"rendered":"<p><a href=\"http:\/\/www.kb.se\/samlingarna\/digitala\/affischer\/wilhelm-kage\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/09\/kage1.jpg\" alt=\"kage1.jpg\" \/><\/a><\/p>\n<p>Posters by Swedish artist Wilhelm K\u00e5ge (1889\u20131960) at the <a href=\"http:\/\/www.kb.se\/samlingarna\/digitala\/affischer\/wilhelm-kage\/\" target=\"_blank\">National Library of Sweden<\/a>. K\u00e5ge is better known for his later ceramic work, some of which can be seen <a href=\"http:\/\/www.deconet.com\/decopedia\/designer\/578\/Wilhelm_K\u00e5ge\" target=\"_blank\">here<\/a>.<\/p>\n<p>Via <a href=\"https:\/\/twitter.com\/assemblyman_eph\" target=\"_blank\">@assemblyman_eph<\/a>.<\/p>\n<p><a href=\"http:\/\/www.kb.se\/samlingarna\/digitala\/affischer\/wilhelm-kage\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/09\/kage2.jpg\" alt=\"kage2.jpg\" \/><\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/03\/19\/einar-nerman\/\">Einar Nerman<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Posters by Swedish artist Wilhelm K\u00e5ge (1889\u20131960) at the National Library of Sweden. K\u00e5ge is better known for his later ceramic work, some of which can be seen here. Via @assemblyman_eph. Previously on { feuilleton } \u2022 Einar Nerman<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,4],"tags":[289,725],"class_list":["post-6138","post","type-post","status-publish","format-standard","hentry","category-art","category-design","tag-einar-nerman","tag-wilhelm-kage"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1B0","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=6138"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6138\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=6138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=6138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=6138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}