{"id":6133,"date":"2009-09-25T03:04:53","date_gmt":"2009-09-25T02:04:53","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=6133"},"modified":"2009-09-25T03:04:53","modified_gmt":"2009-09-25T02:04:53","slug":"the-art-of-oleg-denysenko","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/09\/25\/the-art-of-oleg-denysenko\/","title":{"rendered":"The art of Oleg Denysenko"},"content":{"rendered":"

\"denysenko1.jpg\"<\/a><\/p>\n

Between heaven and hell.<\/em><\/p>\n

These intaglio prints by Ukranian artist Oleg Denysenko<\/a> remind me of Ian Miller<\/a> in their fine, spidery detail, and Ernst Fuchs<\/a> in some of their subject matter. Denysenko also makes sculptures<\/a> based on some of his etchings.<\/p>\n

\"denysenko2.jpg\"<\/a><\/p>\n

Hermaphroditus<\/em>.<\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The etching and engraving archive<\/a>
\n\u2022 The fantastic art archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 The art of Ian Miller<\/a>
\n\u2022 The art of Ernst Fuchs<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Between heaven and hell. These intaglio prints by Ukranian artist Oleg Denysenko remind me of Ian Miller in their fine, spidery detail, and Ernst Fuchs in some of their subject matter. Denysenko also makes sculptures based on some of his etchings. Hermaphroditus. Elsewhere on { feuilleton } \u2022 The etching and engraving archive \u2022 The … Continue reading “The art of Oleg Denysenko”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[724,723,722],"class_list":["post-6133","post","type-post","status-publish","format-standard","hentry","category-art","tag-ernst-fuchs","tag-ian-miller","tag-oleg-denysenko"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1AV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=6133"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/6133\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=6133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=6133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=6133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}