{"id":5870,"date":"2009-08-08T02:16:32","date_gmt":"2009-08-08T01:16:32","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=5870"},"modified":"2009-08-08T02:16:32","modified_gmt":"2009-08-08T01:16:32","slug":"david-trautimas","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/08\/08\/david-trautimas\/","title":{"rendered":"David Trautimas"},"content":{"rendered":"<p><a href=\"http:\/\/www.photoeye.com\/gallery\/forms2\/index.cfm?image=1&amp;id=199200&amp;imagePosition=1&amp;Door=2&amp;Portfolio=Portfolio1&amp;Gallery=2&amp;Page=\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/08\/trautimas.jpg\" alt=\"trautimas.jpg\" \/><\/a><\/p>\n<p><em>The Fishing Complex (2008).<\/em><\/p>\n<p>Canadian artist David Trautimas re-purposes household and other objects into fantasy buildings by exaggerating their scale then montaging them into landscapes. This example is from his <a href=\"http:\/\/www.photoeye.com\/gallery\/forms2\/index.cfm?image=1&amp;id=199200&amp;imagePosition=1&amp;Door=2&amp;Portfolio=Portfolio1&amp;Gallery=2&amp;Page=\" target=\"_blank\"><em>Habitat Machines<\/em><\/a> series; there&#8217;s also an <a href=\"http:\/\/www.photoeye.com\/gallery\/forms2\/index.cfm?image=1&amp;id=199200&amp;imagePosition=1&amp;Door=2YPortfolio=Portfolio1&amp;Portfolio=Portfolio2&amp;Gallery=2&amp;Page=\" target=\"_blank\"><em>Industrial Parkland<\/em><\/a> series. Many of the former group are pleasantly convincing, and their weathered appearance adds to the impression of having discovered the works of a lost Modernist architect. Some of these are like digital equivalents of paintings by <a href=\"http:\/\/www.galerie-boulet.com\/fr\/List_Originaux.lasso?-token.langue=fr&amp;ID_Artiste=ALEM\" target=\"_blank\">Arnau Alemy<\/a>.<\/p>\n<p>Via <a href=\"http:\/\/www.thingsmagazine.net\/\" target=\"_blank\">Things Magazine<\/a>.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/08\/31\/the-art-of-arnau-alemany\/\">The art of Arnau Alemany<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Fishing Complex (2008). Canadian artist David Trautimas re-purposes household and other objects into fantasy buildings by exaggerating their scale then montaging them into landscapes. This example is from his Habitat Machines series; there&#8217;s also an Industrial Parkland series. Many of the former group are pleasantly convincing, and their weathered appearance adds to the impression &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/08\/08\/david-trautimas\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;David Trautimas&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,21,44,12],"tags":[2157,627,626],"class_list":["post-5870","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-fantasy","category-painting","category-photography","tag-arnau-alemany","tag-arnau-alemy","tag-david-trautimas"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1wG","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/5870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=5870"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/5870\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=5870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=5870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=5870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}