{"id":5355,"date":"2009-06-07T03:14:53","date_gmt":"2009-06-07T02:14:53","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=5355"},"modified":"2022-07-13T19:03:33","modified_gmt":"2022-07-13T18:03:33","slug":"the-king-in-yellow","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/06\/07\/the-king-in-yellow\/","title":{"rendered":"The King in Yellow"},"content":{"rendered":"

\"king_ace.jpg\"<\/a><\/p>\n

Along the shore the cloud waves break,
\nThe twin suns sink beneath the lake,
\nThe shadows lengthen
\nIn Carcosa.<\/p>\n

Strange is the night where black stars rise,
\nAnd strange moons circle through the skies
\nBut stranger still is
\nLost Carcosa.<\/p>\n

The King in Yellow<\/em>, Act i, Scene 2.<\/p><\/blockquote>\n

Rearranging the bookshelves this week had me looking again at this old Ace paperback of Robert Chambers’ weird classic<\/a>, one of that select handful of books which can bear a blurb from HP Lovecraft. Any Lovecraft aficionados yet to read the first four stories in Chambers’ collection (the others pieces are of lesser interest) are missing out. These are as good as anything that Weird Tales<\/em> published and together they achieve that unique blend of science fiction, fantasy and horror which Lovecraft and others also managed in the days when writers, and readers for that matter, were far less concerned with the definition and boundaries of genre.<\/p>\n

\"king2.jpg\"<\/a><\/p>\n

My Ace edition was the first paperback printing from 1965 and the cover painting is by Jack Gaughan, credited inside as being based on Chambers’ own first edition design. I’d often wondered what the original cover looked like and now, of course, it’s easy to find<\/a>. Whether Chambers himself drew this is unclear but whoever the artist was, the design is rather more finessed than Gaughan’s sketchy painting.<\/p>\n

\"king.jpg\"<\/p>\n

Searching around reveals two further variations, one of which\u2014the green cover<\/a>\u2014is described on a bookselling site<\/a> as the actual first edition of the book from 1895. Yours for a mere $1,750. The other cover<\/a> is probably a later reprint which gives a clearer view of the mysterious King. What’s notable here is the curious sigil on both the Neely editions. I was hoping this might be the dreaded Yellow Sign which is the subject of Chambers’ fourth (and Lovecraft’s favourite) story; it’s certainly more suitable than the squiggle<\/a> which seems so unaccountably popular among certain quarters of Lovecraft fandom. It isn’t the Yellow Sign, however, it turns out to be the monogram for publisher F. Tennyson Neely. Perhaps this is just as well. “The solution to the mystery is always inferior to the mystery itself,” as Borges said, and some things, like the malevolent play which gives its name to this collection, are best kept out of reach.<\/p>\n

\u2022 The King in Yellow at the Internet Archive<\/a><\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The book covers archive<\/a>
\n\u2022 The Lovecraft archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Arthur Machen book covers<\/a>
\n\u2022 Clark Ashton Smith book covers<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Along the shore the cloud waves break, The twin suns sink beneath the lake, The shadows lengthen In Carcosa. Strange is the night where black stars rise, And strange moons circle through the skies But stranger still is Lost Carcosa. The King in Yellow, Act i, Scene 2. Rearranging the bookshelves this week had me … Continue reading “The King in Yellow”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,21,22,48,26,20],"tags":[197,1279,1687,470,469,6340,2396],"class_list":["post-5355","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-fantasy","category-horror","category-illustrators","category-lovecraft","category-science-fiction","tag-arthur-machen","tag-clark-ashton-smith","tag-hp-lovecraft","tag-jack-gaughan","tag-robert-chambers","tag-the-king-in-yellow","tag-weird-tales"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1on","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/5355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=5355"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/5355\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=5355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=5355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=5355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}