{"id":5220,"date":"2009-05-21T02:14:37","date_gmt":"2009-05-21T01:14:37","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=5220"},"modified":"2009-05-21T02:14:37","modified_gmt":"2009-05-21T01:14:37","slug":"jerry-by-paul-cadmus","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/05\/21\/jerry-by-paul-cadmus\/","title":{"rendered":"Jerry by Paul Cadmus"},"content":{"rendered":"

\"cadmus.jpg\"<\/a><\/p>\n

Jerry (1931).<\/em><\/p>\n

A few weeks too early for Bloomsday, this painting by Paul Cadmus<\/a> was in the news this week after being acquired by the Toledo Museum of Art<\/a>. The subject is Jerry French, one of the artist’s regular models and also his lover during this period. I hadn’t seen this picture before and wonder whether this is the first painted representation of Joyce’s Ulysses<\/em>, a book which at the time was still banned in the USA. The ban was overturned in 1933 following some enlightened deliberation by Judge John M Woolsey.<\/p>\n

Jerry<\/em> takes its place as part of the Toledo Museum’s permanent collection next month. Via Towleroad<\/a>.<\/p>\n

\u2022 Paul Cadmus gallery at Ten Dreams<\/a><\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The gay artists archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 The art of Paul Cadmus, 1904\u20131999<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Jerry (1931). A few weeks too early for Bloomsday, this painting by Paul Cadmus was in the news this week after being acquired by the Toledo Museum of Art. The subject is Jerry French, one of the artist’s regular models and also his lover during this period. I hadn’t seen this picture before and wonder … Continue reading “Jerry by Paul Cadmus”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,5,44],"tags":[135,427,426,428],"class_list":["post-5220","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-gay","category-painting","tag-james-joyce","tag-jerry-french","tag-paul-cadmus","tag-ulysses"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1mc","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/5220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=5220"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/5220\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=5220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=5220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=5220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}