{"id":5217,"date":"2009-05-20T02:56:03","date_gmt":"2009-05-20T01:56:03","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=5217"},"modified":"2014-08-17T06:29:20","modified_gmt":"2014-08-17T05:29:20","slug":"dimitris-yeros","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/05\/20\/dimitris-yeros\/","title":{"rendered":"Dimitris Yeros"},"content":{"rendered":"

\"yeros.jpg\"<\/a><\/p>\n

“For A Definition Of The Nude”.<\/em><\/p>\n

After yesterday’s post I can’t resist repeating something seen at Fabulon<\/a>, Thombeau and I both being cock fanatics (so to speak). Dimitris Yeros<\/a> is a Greek artist and photographer whose site features a series of studies of male and female nudes juxtaposed with a variety of animals. This isn’t the only peacock photo, there’s also a female portrait<\/a> and, in one of the other sections, that recurrent object of obsession, a naked man with a sword<\/a>. As well as photography, Yeros presents examples of his very distinctive paintings.<\/p>\n

While we’re on the subject of masculine eye candy, I’ve been enjoying some of the discoveries at Homotography<\/a> (“Photography with homosexual tendencies”) not least their recent interview with Exterface<\/a>, French masters of luscious homoerotica.<\/p>\n

Previously on { feuilleton }
\n\u2022 Exterface<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

“For A Definition Of The Nude”. After yesterday’s post I can’t resist repeating something seen at Fabulon, Thombeau and I both being cock fanatics (so to speak). Dimitris Yeros is a Greek artist and photographer whose site features a series of studies of male and female nudes juxtaposed with a variety of animals. This isn’t … Continue reading “Dimitris Yeros”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[36,5,12],"tags":[424,425,1580,444,63,5038],"class_list":["post-5217","post","type-post","status-publish","format-standard","hentry","category-eye-candy","category-gay","category-photography","tag-dimitris-yeros","tag-exterface","tag-homotography","tag-peacocks","tag-swords","tag-thombeau"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1m9","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/5217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=5217"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/5217\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=5217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=5217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=5217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}