{"id":4992,"date":"2009-04-22T01:57:25","date_gmt":"2009-04-22T00:57:25","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=4992"},"modified":"2021-11-11T17:08:35","modified_gmt":"2021-11-11T16:08:35","slug":"matrix-iii-by-john-whitney","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/04\/22\/matrix-iii-by-john-whitney\/","title":{"rendered":"Matrix III by John Whitney"},"content":{"rendered":"<p><a href=\"http:\/\/www.youtube.com\/watch?v=ZrKgyY5aDvA\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4993\" title=\"matrix-iii.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/04\/matrix-iii.jpg\" alt=\"matrix-iii.jpg\" width=\"340\" height=\"510\" srcset=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/04\/matrix-iii.jpg 340w, https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/04\/matrix-iii-200x300.jpg 200w\" sizes=\"auto, (max-width: 340px) 85vw, 340px\" \/><\/a><\/p>\n<p>Another great piece of abstract cinema by <a href=\"http:\/\/www.youtube.com\/watch?v=ZrKgyY5aDvA\" target=\"_blank\">John Whitney<\/a>. The soundtrack is an extract from <em>Poppy Nogood and the Phantom Band<\/em> by <a href=\"http:\/\/www.terryriley.com\/\" target=\"_blank\">Terry Riley<\/a>.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/themed-archive-pages\/the-abstract-cinema-archive\/\">The abstract cinema archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Another great piece of abstract cinema by John Whitney. The soundtrack is an extract from Poppy Nogood and the Phantom Band by Terry Riley. Elsewhere on { feuilleton } \u2022 The abstract cinema archive<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[49,7,3],"tags":[351,2864,1884,159,352],"class_list":["post-4992","post","type-post","status-publish","format-standard","hentry","category-abstract-cinema","category-film","category-music","tag-john-whitney","tag-jordan-belson","tag-mary-ellen-bute","tag-norman-mclaren","tag-terry-riley"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1iw","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/4992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=4992"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/4992\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=4992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=4992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=4992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}