{"id":4958,"date":"2009-04-19T02:11:01","date_gmt":"2009-04-19T01:11:01","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=4958"},"modified":"2009-04-19T02:11:44","modified_gmt":"2009-04-19T01:11:44","slug":"the-art-of-philip-shadbolt","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/04\/19\/the-art-of-philip-shadbolt\/","title":{"rendered":"The art of Philip Shadbolt"},"content":{"rendered":"

\"shadbolt.jpg\"<\/a><\/p>\n

Lila.<\/em><\/p>\n

I’d intended to feature Philip Shadbolt’s paintings earlier but his site was offline last time I looked. The hiatus was a temporary one which means that the beautiful men, beatific gods and kaleidoscopic mandalas of his Earth<\/a> and Spirit<\/a> galleries are available for viewing again. One of these paintings is very aptly used as the cover art of Thom Ayres’ Arcanta<\/a> CD, Book of Mirrors<\/em>, Thom being better known to some of us as our witty and incorrigible host at Planet Fabulon<\/a>. For more Shadboltiana, see the interior design at myhotel<\/a>, Brighton.<\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The gay artists archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 The art of Sadao Hasegawa, 1945\u20131999<\/a>
\n\u2022 The art of Matthew Stradling<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Lila. I’d intended to feature Philip Shadbolt’s paintings earlier but his site was offline last time I looked. The hiatus was a temporary one which means that the beautiful men, beatific gods and kaleidoscopic mandalas of his Earth and Spirit galleries are available for viewing again. One of these paintings is very aptly used as … Continue reading “The art of Philip Shadbolt”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,5,3,44],"tags":[4121,345,1420,1486],"class_list":["post-4958","post","type-post","status-publish","format-standard","hentry","category-art","category-gay","category-music","category-painting","tag-arcanta","tag-philip-shadbolt","tag-sadao-hasegawa","tag-thom-ayres"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1hY","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/4958","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=4958"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/4958\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=4958"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=4958"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=4958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}