{"id":4717,"date":"2009-03-23T01:57:56","date_gmt":"2009-03-23T01:57:56","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=4717"},"modified":"2013-02-06T20:43:29","modified_gmt":"2013-02-06T20:43:29","slug":"vintage-movie-posters","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/03\/23\/vintage-movie-posters\/","title":{"rendered":"Vintage movie posters"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/flapjax_at_midnite\/sets\/72157615179915635\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4718\" title=\"hellis.jpg\" alt=\"hellis.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/03\/hellis.jpg\" width=\"340\" height=\"505\" srcset=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/03\/hellis.jpg 340w, https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/03\/hellis-201x300.jpg 201w\" sizes=\"auto, (max-width: 340px) 85vw, 340px\" \/><\/a><\/p>\n<p>An example from <a href=\"http:\/\/www.flickr.com\/photos\/flapjax_at_midnite\/sets\/72157615179915635\/\" target=\"_blank\">this Flickr set<\/a>.<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0053900\/\" target=\"_blank\"><em>Hell is a City<\/em><\/a> is a Hammer melodrama from 1960 directed by Val Guest, <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/03\/01\/edward-judd-1932\u20132009\/\" target=\"_self\">mentioned here recently<\/a> for his earlier <em>The Day the Earth Caught Fire<\/em>. This one doesn&#8217;t succeed quite as well, being a misguided attempt to do a film noir in Manchester. The poster tries to disguise the mundane reality by showing a city which looks more like New York than our small northern metropolis. But it&#8217;s worth watching for the great <a href=\"http:\/\/www.imdb.com\/name\/nm0048939\/\" target=\"_blank\">Stanley Baker<\/a> and, like <a href=\"http:\/\/www.imdb.com\/title\/tt0055506\/\" target=\"_blank\"><em>A Taste of Honey<\/em><\/a> and other films with Manchester settings, you can have fun spotting familiar places in the background. If it&#8217;s Brit film noir you want, there&#8217;s only one place to go: Jules Dassin&#8217;s marvellous <em><a href=\"http:\/\/www.imdb.com\/title\/tt0042788\/\" target=\"_blank\">Night and the City<\/a><\/em>.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/03\/01\/edward-judd-1932\u20132009\/\">Edward Judd, 1932\u20132009<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/02\/26\/franciszek-starowieyski-1930\u20132009\/\">Franciszek Starowieyski, 1930\u20132009<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/07\/31\/czech-film-posters\/\">Czech film posters<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/11\/09\/the-poster-art-of-richard-amsel\/\">The poster art of Richard Amsel<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/11\/08\/bollywood-posters\/\">Bollywood posters<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/08\/30\/lussuria-invidia-superbia\/\">Lussuria, Invidia, Superbia<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/10\/the-poster-art-of-bob-peake\/\">The poster art of Bob Peak<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/03\/30\/a-premonition-of-premonition\/\">A premonition of Premonition<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/02\/10\/perfume-the-art-of-scent\/\">Perfume: the art of scent<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/07\/metropolis-posters\/\">Metropolis posters<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/11\/14\/film-noir-posters\/\">Film noir posters<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>An example from this Flickr set. Hell is a City is a Hammer melodrama from 1960 directed by Val Guest, mentioned here recently for his earlier The Day the Earth Caught Fire. This one doesn&#8217;t succeed quite as well, being a misguided attempt to do a film noir in Manchester. The poster tries to disguise &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/03\/23\/vintage-movie-posters\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Vintage movie posters&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,7,38],"tags":[1320,254,517,1321,296],"class_list":["post-4717","post","type-post","status-publish","format-standard","hentry","category-design","category-film","category-pulp","tag-bob-peak","tag-franciszek-starowieyski","tag-manchester","tag-richard-amsel","tag-stanley-baker"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1e5","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/4717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=4717"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/4717\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=4717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=4717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=4717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}