{"id":4698,"date":"2009-03-19T01:32:38","date_gmt":"2009-03-19T01:32:38","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=4698"},"modified":"2009-03-19T01:32:38","modified_gmt":"2009-03-19T01:32:38","slug":"einar-nerman","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/03\/19\/einar-nerman\/","title":{"rendered":"Einar Nerman"},"content":{"rendered":"

\"nerman1.jpg\"<\/p>\n

left: No title or date; right: Joker from a playing card set (1924).<\/em><\/p>\n

A recent post by Silent-Porn-Star<\/a> draws my attention to Swedish illustrator and cartoonist Einar Nerman (1888\u20131983) whose work I don’t recall having come across before. There isn’t much available to see online unfortunately, a shame as SPS’s posting of a 1926 cigarette ad<\/a> shows a distinct Beardsley influence. Nerman seems known chiefly today for his caricatures of Greta Garbo, one of which was used on a commemorative postage stamp<\/a> in 2005.<\/p>\n

\"nerman2.jpg\"<\/a><\/p>\n

Greta Garbo.<\/em><\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The illustrators archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Oscar Wilde playing cards<\/a>
\n\u2022 Surrealist cartomancy<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

left: No title or date; right: Joker from a playing card set (1924). A recent post by Silent-Porn-Star draws my attention to Swedish illustrator and cartoonist Einar Nerman (1888\u20131983) whose work I don’t recall having come across before. There isn’t much available to see online unfortunately, a shame as SPS’s posting of a 1926 cigarette … Continue reading “Einar Nerman”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,50,30,7,48],"tags":[289,116],"class_list":["post-4698","post","type-post","status-publish","format-standard","hentry","category-art","category-beardsley","category-black-white","category-film","category-illustrators","tag-einar-nerman","tag-oscar-wilde"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1dM","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/4698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=4698"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/4698\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=4698"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=4698"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=4698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}