{"id":4612,"date":"2009-03-09T02:30:44","date_gmt":"2009-03-09T02:30:44","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=4612"},"modified":"2009-03-09T02:33:09","modified_gmt":"2009-03-09T02:33:09","slug":"antonio-gaudi-by-hiroshi-teshigahara","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/03\/09\/antonio-gaudi-by-hiroshi-teshigahara\/","title":{"rendered":"Antonio Gaud\u00ed by Hiroshi Teshigahara"},"content":{"rendered":"<p><a href=\"http:\/\/www.ubu.com\/film\/gaudi_doc.html\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4613\" title=\"gaudi.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/03\/gaudi.jpg\" alt=\"gaudi.jpg\" width=\"454\" height=\"327\" srcset=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/03\/gaudi.jpg 454w, https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/03\/gaudi-400x288.jpg 400w, https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/03\/gaudi-300x216.jpg 300w\" sizes=\"auto, (max-width: 454px) 85vw, 454px\" \/><\/a><\/p>\n<p>A largely-wordless tour of Gaud\u00ed&#8217;s architecture by the director of <a href=\"http:\/\/www.imdb.com\/title\/tt0058625\/\" target=\"_blank\"><em>Woman in the Dunes<\/em><\/a> (1964). Like that earlier film this also features a score by the composer Toru Takemitsu. I hadn&#8217;t realised before that the famous <a href=\"http:\/\/lh5.ggpht.com\/_eB16dYyRaUY\/SIYBgvNQZWI\/AAAAAAAAA1Q\/dbC8JF1dh5c\/IMG_5898.JPG\" target=\"_blank\">dragon gate<\/a> (above) at the entrance to the <a href=\"http:\/\/commons.wikimedia.org\/wiki\/Parc_G\u00fcell\" target=\"_blank\">Parc G\u00fcell<\/a>, Barcelona, was as large as it is.<\/p>\n<p>Teshigahara&#8217;s documentary is another film available at <a href=\"http:\/\/www.ubu.com\/film\/gaudi_doc.html\" target=\"_blank\">Ubuweb<\/a>.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/04\/05\/atelier-elvira\/\" target=\"_self\">Atelier Elvira<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A largely-wordless tour of Gaud\u00ed&#8217;s architecture by the director of Woman in the Dunes (1964). Like that earlier film this also features a score by the composer Toru Takemitsu. I hadn&#8217;t realised before that the famous dragon gate (above) at the entrance to the Parc G\u00fcell, Barcelona, was as large as it is. Teshigahara&#8217;s documentary &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/03\/09\/antonio-gaudi-by-hiroshi-teshigahara\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Antonio Gaud\u00ed by Hiroshi Teshigahara&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,7,41],"tags":[272,273,274,119],"class_list":["post-4612","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-film","category-sculpture","tag-antonio-gaudi","tag-hiroshi-teshigahara","tag-toru-takemitsu","tag-ubuweb"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-1co","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/4612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=4612"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/4612\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=4612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=4612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=4612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}