![\"lux.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/02\/lux.jpg\" "\\"lux.jpg\\"")
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Lux on stage in Glasgow, 1990.<\/em><\/p>\n Lux Interior, co-founder of the Cramps and the group’s singer, lyricist, cultural archaeologist and a superb stage performer. Also one of the few people who could successfully enthuse about the delights of female sexuality while wearing nothing more than a pair of high heels and a black G-string.<\/p>\n That exhilarating manifestation of deviant intent and skull-denting impact remains Lux and Ivy\u2019s exclusive domain. Where punk rock was a barrage of refutation that fomented rabid exultation, the Cramps reclaimed the hillbilly power long since flushed down the Mersey. Through a self-stated \u201cdisdain for the myth of musical progress,\u201d they melded their mutant propensities to emerge as a guiding voice in the wilderness, a commanding force that redefined the rock & roll spectrum while outgunning almost everyfuckingbody in the game. Jonny Whiteside, LA Weekly<\/a>.<\/p><\/blockquote>\n \u2022 The Cramps’ Lux Interior: A life in pictures<\/a> Lux on stage in Glasgow, 1990. Lux Interior, co-founder of the Cramps and the group’s singer, lyricist, cultural archaeologist and a superb stage performer. Also one of the few people who could successfully enthuse about the delights of female sexuality while wearing nothing more than a pair of high heels and a black G-string. That … Continue reading “Lux Interior, 1946\u20132009”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[167,445,213],"class_list":["post-4304","post","type-post","status-publish","format-standard","hentry","category-music","tag-obituaries","tag-skulls","tag-the-cramps"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-17q","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/4304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=4304"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/4304\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=4304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=4304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=4304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u2022 The Cramps on The Tube<\/em>, 1987: part 1<\/a> | part 2<\/a> | part 3<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"