{"id":401,"date":"2006-04-22T02:08:05","date_gmt":"2006-04-22T02:08:05","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=401"},"modified":"2008-07-19T14:36:55","modified_gmt":"2008-07-19T13:36:55","slug":"las-pozas-and-edward-james","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/04\/22\/las-pozas-and-edward-james\/","title":{"rendered":"Las Pozas and Edward James"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2006\/04\/magritte.jpg\" id=\"image402\" alt=\"magritte.jpg\" \/><\/p>\n<p><em>Edward James by Ren\u00e9 Magritte, La Reproduction Interdite<\/em><em> (1937).<\/em><\/p>\n<p>Art collector Edward James (1907\u20131984) was a characteristically English eccentric, a kind of 20th century equivalent of William Beckford or Horace Walpole, who was captivated by Surrealism in the 1930s and became a lifelong devotee of the movement. Much of his inherited wealth was spent supporting artists such as Salvador Dal\u00ed, Ren\u00e9 Magritte and Lenora Carrington and his homes at Monkton House and Walpole Street in London were transformed into showcases of Surrealist decor; Dal\u00ed&#8217;s famous sofa modelled on Mae West&#8217;s lips was designed with assistance from James.<\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2006\/04\/las_pozas1.jpg\" id=\"image403\" alt=\"las_pozas1.jpg\" \/><\/p>\n<p>In 1947 James began commuting regularly to Xilitla in Mexico (a country specially favoured by the Surrealists) and in 1949 began the construction of Las Pozas, a sprawling jungle folly that eventually developed into a cross between a sculpture park and a plan for a new school of Surrealist construction not far removed from similar flights of invention by Antonio Gaud\u00ed. Las Pozas occupied him up to his death and unfortunately remains incomplete like so many works of fabulist architecture. There is, however, a small site devoted to it <a href=\"http:\/\/www.junglegossip.com\/\" target=\"_blank\">here<\/a> with some magazine features and details of how to find the place should you ever be on holiday in the region.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2006\/04\/las_pozas2.jpg\" id=\"image404\" alt=\"las_pozas2.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2006\/04\/las_pozas3.jpg\" id=\"image405\" alt=\"las_pozas3.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2006\/04\/las_pozas4.jpg\" id=\"image406\" alt=\"las_pozas4.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-fantastic-art-archive\/\">The fantastic art archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Edward James by Ren\u00e9 Magritte, La Reproduction Interdite (1937). Art collector Edward James (1907\u20131984) was a characteristically English eccentric, a kind of 20th century equivalent of William Beckford or Horace Walpole, who was captivated by Surrealism in the 1930s and became a lifelong devotee of the movement. Much of his inherited wealth was spent supporting &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/04\/22\/las-pozas-and-edward-james\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Las Pozas and Edward James&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,44,41,18],"tags":[272,1511,115,87,1510],"class_list":["post-401","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-painting","category-sculpture","category-surrealism","tag-antonio-gaudi","tag-edward-james","tag-magritte","tag-salvador-dali","tag-william-beckford"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6t","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=401"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/401\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}