{"id":3858,"date":"2009-01-12T03:55:22","date_gmt":"2009-01-12T03:55:22","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2009\/01\/12\/skull-cameras\/"},"modified":"2009-01-20T22:51:25","modified_gmt":"2009-01-20T22:51:25","slug":"skull-cameras","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/01\/12\/skull-cameras\/","title":{"rendered":"Skull cameras"},"content":{"rendered":"<p><a href=\"http:\/\/www.boyofblue.com\/cameras\/3rd_eye.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/01\/camera1.jpg\" alt=\"camera1.jpg\" \/><\/a><\/p>\n<p><em>Third Eye Camera.<\/em><\/p>\n<p>Two <a href=\"http:\/\/www.boyofblue.com\/cameras.html\" target=\"_blank\">camera artworks<\/a> by Wayne Martin Belger, aka Boy of Blue.<\/p>\n<blockquote><p>Yama is made from Aluminium, Titanium, Copper, Brass, Bronze Steel, Silver, Gold, Mercury with 4 Sapphires, 3 Rubies (The one at Yama\u2019s third eye was $5000.00), Asian and American Turquoise, Sand, Blood, and 9 Opals inlayed in the Skull. The film loading system is pneumatic. A 300psi air tank in the middle of the camera powers 2 pneumatic pistons to move the film holder forward and lock it into place. The switch to open and close the film chamber is located under the jaw.<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.boyofblue.com\/cameras\/yama.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/01\/camera2.jpg\" alt=\"camera2.jpg\" \/><\/a><\/p>\n<p><em>Yama (Tibetan Skull Camera). <\/em><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/04\/08\/the-skull-beneath-the-skin\/\">The skull beneath the skin<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/02\/12\/darwin-day-2\/\">Darwin Day<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/24\/vanitas-paintings\/\">Vanitas paintings<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/03\/31\/giant-skeleton-and-the-chocolate-jesus\/\">Giant Skeleton and the Chocolate Jesus<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/02\/18\/very-hungry-god\/\">Very Hungry God<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/02\/15\/history-of-the-skull-as-symbol\/\">History of the skull as symbol<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Third Eye Camera. Two camera artworks by Wayne Martin Belger, aka Boy of Blue. Yama is made from Aluminium, Titanium, Copper, Brass, Bronze Steel, Silver, Gold, Mercury with 4 Sapphires, 3 Rubies (The one at Yama\u2019s third eye was $5000.00), Asian and American Turquoise, Sand, Blood, and 9 Opals inlayed in the Skull. The film &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/01\/12\/skull-cameras\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Skull cameras&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,4,12],"tags":[445],"class_list":["post-3858","post","type-post","status-publish","format-standard","hentry","category-art","category-design","category-photography","tag-skulls"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-10e","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3858"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3858\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}