{"id":3836,"date":"2009-01-04T02:07:55","date_gmt":"2009-01-04T02:07:55","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2009\/01\/04\/venice-panoramas\/"},"modified":"2011-09-08T02:29:20","modified_gmt":"2011-09-08T01:29:20","slug":"venice-panoramas","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/01\/04\/venice-panoramas\/","title":{"rendered":"Venice panoramas"},"content":{"rendered":"<p><a href=\"http:\/\/www.360venezia.com\/panorama\/san_marco_notte.htm\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/01\/venice1.jpg\" alt=\"venice1.jpg\" \/><\/a><\/p>\n<p><em>Piazza San Marco. <\/em><\/p>\n<p><a href=\"http:\/\/www.gillesvidal.com\/\" target=\"_blank\">Gilles Vidal<\/a>&#8216;s 360\u00ba panoramas are justly celebrated but some of his photos benefit more from the location than others. <a href=\"http:\/\/www.gillesvidal.com\/saintececile.htm\" target=\"_blank\">The cathedral of St Cecilia<\/a> is a great example of this, as is <a href=\"http:\/\/www.360venezia.com\/\" target=\"_blank\">the city of Venice<\/a> in this remarkable series of views. As well as showing a few less obvious locations, Vidal shows some of the more familiar sights in night views which are still fascinating due to the high quality of the pictures. The view of a misty Piazza San Marco (above) is wonderfully atmospheric.<\/p>\n<p><a href=\"http:\/\/www.360venezia.com\/panorama\/santa-croce.htm\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/01\/venice2.jpg\" alt=\"venice2.jpg\" \/><\/a><\/p>\n<p><em>Sestiere di Santa Croce. <\/em><\/p>\n<p><a href=\"http:\/\/www.360venezia.com\/panorama\/sospiri_hd%5B1%5D.htm\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2009\/01\/venice3.jpg\" alt=\"venice3.jpg\" \/><\/a><\/p>\n<p><em>Ponte dei Sospiri. <\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-panoramas-archive\/\">The panoramas archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/12\/10\/abelardo-morells-camera-obscura\/\">Abelardo Morell\u2019s camera obscura<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Piazza San Marco. Gilles Vidal&#8216;s 360\u00ba panoramas are justly celebrated but some of his photos benefit more from the location than others. The cathedral of St Cecilia is a great example of this, as is the city of Venice in this remarkable series of views. As well as showing a few less obvious locations, Vidal &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/01\/04\/venice-panoramas\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Venice panoramas&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,51,12],"tags":[269,146],"class_list":["post-3836","post","type-post","status-publish","format-standard","hentry","category-architecture","category-cities","category-photography","tag-panoramas","tag-prague"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-ZS","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3836"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3836\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3836"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3836"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}