{"id":3717,"date":"2008-11-23T01:13:29","date_gmt":"2008-11-23T01:13:29","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/11\/23\/the-art-of-francois-houtin\/"},"modified":"2008-11-23T14:46:57","modified_gmt":"2008-11-23T14:46:57","slug":"the-art-of-francois-houtin","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/11\/23\/the-art-of-francois-houtin\/","title":{"rendered":"The art of Fran\u00e7ois Houtin"},"content":{"rendered":"<p><a href=\"http:\/\/www.galleriadelleone.com\/artistes\/houtin\/grand-totem.htm\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/11\/houtin1.jpg\" alt=\"houtin1.jpg\" \/><\/a><\/p>\n<p><em>Grand Totem n\u00b01 (2001). <\/em><\/p>\n<p>From <a href=\"http:\/\/www.galleriadelleone.com\/artistes\/houtin\/houtin-works.htm\" target=\"_blank\">a collection of etching of imaginary gardens<\/a> by the French artist at Galleria del Leone.<\/p>\n<p><a href=\"http:\/\/www.galleriadelleone.com\/artistes\/houtin\/pyramide-1.htm\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/11\/houtin2.jpg\" alt=\"houtin2.jpg\" \/><\/a><\/p>\n<p><em>Pyramide n\u00b01 (1991). <\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-etching-and-engraving-archive\/\">The etching and engraving archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Grand Totem n\u00b01 (2001). From a collection of etching of imaginary gardens by the French artist at Galleria del Leone. Pyramide n\u00b01 (1991). Elsewhere on { feuilleton } \u2022 The etching and engraving archive<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,30],"tags":[],"class_list":["post-3717","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-black-white"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-XX","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3717"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3717\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}