{"id":3707,"date":"2008-11-20T01:18:09","date_gmt":"2008-11-20T00:18:09","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/11\/20\/guy-peellaert-1934-2008\/"},"modified":"2014-08-16T16:22:34","modified_gmt":"2014-08-16T15:22:34","slug":"guy-peellaert-1934-2008","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/11\/20\/guy-peellaert-1934-2008\/","title":{"rendered":"Guy Peellaert, 1934\u20132008"},"content":{"rendered":"<p><a href=\"http:\/\/www.teenagewildlife.com\/Albums\/DD\/cover_ryko.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"diamond_dogs.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/11\/diamond_dogs.jpg\" \/><\/a><\/p>\n<p><em>Diamond Dogs (1974). <\/em><\/p>\n<p>Many people know this classic album sleeve even if they don&#8217;t recognise the name of the Belgian artist who painted it. Guy Peellaert died this week and this is easily his most famous picture. I remember being very struck by its appearance in the local record shop window which always displayed gatefold album sleeves opened out as above. By then the notorious dog&#8217;s genitals would have been removed from the picture to protect the delicate sensibilities of Bowie&#8217;s listeners; the copy here is from a later CD reissue.<\/p>\n<p><img decoding=\"async\" alt=\"taxi_driver.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/11\/taxi_driver.jpg\" \/><\/p>\n<p><em>Taxi Driver (1976). <\/em><\/p>\n<p>Peellaert&#8217;s work was very visible in the 1970s, especially his book of rock star portraits, <em>Rock Dreams<\/em>, a ubiquitous pop culture item along with Roger Dean&#8217;s <em>Views<\/em> and Alan Aldridge&#8217;s psychedelic whimsy. I always liked the Bowie cover, it hinted at weirder music than the rather mundane post-Velvets\/Mott the Hoople rock which the album contained, but much of the work in <em>Rock Dreams<\/em> seemed garish and awkward. Far more successful was Peellaert&#8217;s painting for Martin Scorsese&#8217;s <em>Taxi Driver<\/em>, undoubtedly commissioned on the strength of his earlier work but superior to nearly everything in his book.<\/p>\n<p>Peellaert&#8217;s official site has <a href=\"http:\/\/www.guypeellaert.com\/guy.html\" target=\"_blank\">several galleries<\/a> of his paintings.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-album-covers-archive\/\">The album covers archive<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Diamond Dogs (1974). Many people know this classic album sleeve even if they don&#8217;t recognise the name of the Belgian artist who painted it. Guy Peellaert died this week and this is easily his most famous picture. I remember being very struck by its appearance in the local record shop window which always displayed gatefold &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/11\/20\/guy-peellaert-1934-2008\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Guy Peellaert, 1934\u20132008&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,7,48,3,44],"tags":[2999,409,167,903],"class_list":["post-3707","post","type-post","status-publish","format-standard","hentry","category-art","category-film","category-illustrators","category-music","category-painting","tag-guy-peellaert","tag-martin-scorsese","tag-obituaries","tag-roger-dean"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-XN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3707"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3707\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}