{"id":3694,"date":"2008-11-15T01:55:48","date_gmt":"2008-11-15T01:55:48","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/11\/15\/return-to-the-exposition-universelle\/"},"modified":"2010-09-18T01:52:44","modified_gmt":"2010-09-18T00:52:44","slug":"return-to-the-exposition-universelle","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/11\/15\/return-to-the-exposition-universelle\/","title":{"rendered":"Return to the Exposition Universelle"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/brooklyn_museum\/2486856102\/in\/set-72157604656089762\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/11\/exposition1.jpg\" alt=\"exposition1.jpg\" \/><\/a><\/p>\n<p><em>Main entrance gate by Ren\u00e9 Binet. <\/em><\/p>\n<p>I can&#8217;t leave the 1900 Paris exposition alone, and with good reason. If further proof were required that this event brought Winsor McCay&#8217;s Slumberland to earth for a few weeks, <a href=\"http:\/\/www.flickr.com\/photos\/brooklyn_museum\/sets\/72157604656089762\/\" target=\"_blank\">this stunning Brooklyn Museum Flickr set<\/a> has the evidence. Not only five pages of high-resolution views but they&#8217;re all hand-tinted which adds to the splendour and highlights the ladies&#8217; parasols.<\/p>\n<p>For earlier posts on the Exposition Universelle, see the links below. Via <a href=\"http:\/\/www.thingsmagazine.net\/\" target=\"_blank\">Things Magazine<\/a>.<\/p>\n<p><a href=\"http:\/\/www.flickr.com\/photos\/brooklyn_museum\/2486051251\/in\/set-72157604656089762\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/11\/exposition2.jpg\" alt=\"exposition2.jpg\" \/><\/a><\/p>\n<p><em>Esplanade des Invalides. <\/em><\/p>\n<p><a href=\"http:\/\/www.flickr.com\/photos\/brooklyn_museum\/2486863802\/in\/set-72157604656089762\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/11\/exposition3.jpg\" alt=\"exposition3.jpg\" \/><\/a><\/p>\n<p><em>Palace of Electricity. <\/em><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/31\/the-palais-lumineux\/\">The Palais Lumineux<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/30\/louis-bonniers-exposition-dreams\/\">Louis Bonnier\u2019s exposition dreams<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/29\/exposition-universelle-1900\/\">Exposition Universelle, 1900<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/02\/29\/the-palais-du-trocadero\/\">The Palais du Trocad\u00e9ro<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/01\/14\/the-evanescent-city\/\">The Evanescent City<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/09\/30\/winsor-mccays-hippodrome-souvenirs\/\">Winsor McCay\u2019s Hippodrome souvenirs<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Main entrance gate by Ren\u00e9 Binet. I can&#8217;t leave the 1900 Paris exposition alone, and with good reason. If further proof were required that this event brought Winsor McCay&#8217;s Slumberland to earth for a few weeks, this stunning Brooklyn Museum Flickr set has the evidence. Not only five pages of high-resolution views but they&#8217;re all &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/11\/15\/return-to-the-exposition-universelle\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Return to the Exposition Universelle&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,51,12],"tags":[120,1735,717],"class_list":["post-3694","post","type-post","status-publish","format-standard","hentry","category-architecture","category-cities","category-photography","tag-expositions","tag-rene-binet","tag-winsor-mccay"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-XA","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3694"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3694\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}