{"id":3644,"date":"2008-11-01T02:10:09","date_gmt":"2008-11-01T02:10:09","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/11\/01\/vintage-swordplay-2\/"},"modified":"2008-12-15T02:37:00","modified_gmt":"2008-12-15T02:37:00","slug":"vintage-swordplay-2","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/11\/01\/vintage-swordplay-2\/","title":{"rendered":"Vintage swordplay #2"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/11\/sword_guy.jpg\" alt=\"sword_guy.jpg\" \/><\/p>\n<p>Even though I never really noticed before it&#8217;s become fairly obvious that adding a sword to a beefcake photo was a way of lending some spurious historicity to an otherwise overt piece of male nudity, the cheap version of having models pose among Greek or Roman ruins. Not that I&#8217;m complaining, of course. This example comes from Bob Anthony&#8217;s New York studio of the 1960s. Thanks to <a href=\"http:\/\/www.malbela.com\/\" target=\"_blank\">Aristan<\/a> for the tip!<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-men-with-swords-archive\/\">The men with swords archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Even though I never really noticed before it&#8217;s become fairly obvious that adding a sword to a beefcake photo was a way of lending some spurious historicity to an otherwise overt piece of male nudity, the cheap version of having models pose among Greek or Roman ruins. Not that I&#8217;m complaining, of course. This example &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/11\/01\/vintage-swordplay-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Vintage swordplay #2&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[36,5,12],"tags":[64,63],"class_list":["post-3644","post","type-post","status-publish","format-standard","hentry","category-eye-candy","category-gay","category-photography","tag-beefcake","tag-swords"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-WM","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3644"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3644\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}