{"id":3608,"date":"2008-10-19T01:28:43","date_gmt":"2008-10-19T00:28:43","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/10\/19\/la-belle-sans-nom\/"},"modified":"2008-11-08T01:19:42","modified_gmt":"2008-11-08T01:19:42","slug":"la-belle-sans-nom","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/10\/19\/la-belle-sans-nom\/","title":{"rendered":"La belle sans nom"},"content":{"rendered":"<p><a href=\"http:\/\/images.nypl.org\/index.php?id=818637&amp;t=w\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/10\/orazi1.jpg\" alt=\"orazi1.jpg\" \/><\/a><\/p>\n<p><em>La belle sans nom (1900).<\/em><\/p>\n<p>An illustration by French artist Manuel Orazi (1860\u20131934) from <em>Figaro illustr\u00e9<\/em> for a story by Jean Rameau. Via <a href=\"http:\/\/digitalgallery.nypl.org\/nypldigital_dev\/index.cfm\" target=\"_blank\">NYPL Digital Gallery<\/a>. It&#8217;s good to see something else by Orazi other than advertising illustration. His astonishing work for Austin De Croze&#8217;s 1895 <a href=\"http:\/\/fantastic.library.cornell.edu\/bookrecord.php?record=F051\" target=\"_blank\"><em>Calendrier Magique<\/em><\/a> (below) can be seen in full at the Cornell collection. Great graphics for Halloween.<\/p>\n<p><a href=\"http:\/\/fantastic.library.cornell.edu\/bookrecord.php?record=F051\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/10\/orazi2.jpg\" alt=\"orazi2.jpg\" \/><\/a><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/13\/the-feminine-sphinx\/\">The Feminine Sphinx<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/14\/le-monstre\/\">Le Monstre<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/11\/carlos-schwabes-fleurs-du-mal\/\">Carlos Schwabe&#8217;s Fleurs du Mal<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/10\/empusa\/\">Empusa<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La belle sans nom (1900). An illustration by French artist Manuel Orazi (1860\u20131934) from Figaro illustr\u00e9 for a story by Jean Rameau. Via NYPL Digital Gallery. It&#8217;s good to see something else by Orazi other than advertising illustration. His astonishing work for Austin De Croze&#8217;s 1895 Calendrier Magique (below) can be seen in full at &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/10\/19\/la-belle-sans-nom\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;La belle sans nom&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,2,42,48,16],"tags":[1208,276],"class_list":["post-3608","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-art","category-books","category-illustrators","category-occult","tag-manuel-orazi","tag-nypl-digital-gallery"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-Wc","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3608"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3608\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}