{"id":3604,"date":"2008-10-18T02:19:54","date_gmt":"2008-10-18T01:19:54","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/2008\/10\/18\/design-as-virus-6\/"},"modified":"2013-07-12T01:59:05","modified_gmt":"2013-07-12T00:59:05","slug":"design-as-virus-6-cassandre","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/10\/18\/design-as-virus-6-cassandre\/","title":{"rendered":"Design as virus 6: Cassandre"},"content":{"rendered":"<p><a href=\"http:\/\/www.cassandre.fr\/\" target=\"_blank\"><img decoding=\"async\" alt=\"cassandre.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/10\/cassandre.jpg\" \/><\/a><\/p>\n<p>Poster by <a href=\"http:\/\/www.cassandre.fr\/\" target=\"_blank\">Adolphe Mouron Cassandre<\/a> for <em>L&#8217;Intrangigent<\/em>, a Paris newspaper, 1925.<\/p>\n<p><a href=\"http:\/\/flickr.com\/photos\/epiclectic\/2908478215\/\" target=\"_blank\"><img decoding=\"async\" alt=\"elektrics.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2008\/10\/elektrics.jpg\" \/><\/a><\/p>\n<p>Uncredited sleeve art for the second album by <a href=\"http:\/\/www.answers.com\/topic\/elektrics\" target=\"_blank\">The Elektrics<\/a>, 1981. Found whilst browsing <a href=\"http:\/\/flickr.com\/photos\/epiclectic\/sets\/72157600033428153\/\" target=\"_blank\">this Flickr collection<\/a>.<\/p>\n<blockquote><p>Signed to Capitol\/EMI during the new wave\/power pop boom of 1979 and 1980, this East Coast quintet fronted by vocalist Carl Worner, released their debut album <em>Current Events<\/em> in 1980. Though the album showed that the band was stylistically diverse and creative, the album sold poorly. <em>State of Shock<\/em>, their second album released in 1981, was a huge leap forward, yet didn&#8217;t garner the band many new fans or much radio play. After being dropped by EMI, the band split.<\/p><\/blockquote>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-album-covers-archive\/\">The album covers archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/09\/21\/design-as-virus-5-gideon-glaser\/\">Design as virus 5: Gideon Glaser<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/05\/07\/design-as-virus-4-metamorphoses\/\">Design as virus 4: Metamorphoses<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/01\/24\/design-as-virus-3-the-sincerest-form-of-flattery\/\">Design as virus 3: the sincerest form of flattery<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/01\/22\/design-as-virus-2-album-covers\/\">Design as virus 2: album covers<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/07\/19\/design-as-virus-victorian-borders\/\">Design as virus 1: Victorian borders<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Poster by Adolphe Mouron Cassandre for L&#8217;Intrangigent, a Paris newspaper, 1925. Uncredited sleeve art for the second album by The Elektrics, 1981. Found whilst browsing this Flickr collection. Signed to Capitol\/EMI during the new wave\/power pop boom of 1979 and 1980, this East Coast quintet fronted by vocalist Carl Worner, released their debut album Current &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/10\/18\/design-as-virus-6-cassandre\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Design as virus 6: Cassandre&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4,3],"tags":[4884],"class_list":["post-3604","post","type-post","status-publish","format-standard","hentry","category-design","category-music","tag-cassandre"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-W8","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=3604"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/3604\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=3604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=3604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=3604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}